ShredCow said:
jono007 said:
anyone know if Randolf has recovered from his flu? He was down last week...
Went to his house with my Blackstone and Screwdrive just last Saturday.

The Blackstone probably blew his flu away... hahaha...
Gd Morning Folks!
Ok thanks for the various get well mesgs. I'm back in action... had no idea wat hit me so bad over the previous week. Anyway I'm back alive and kickin' Heh

Hey I see some nice pedal setups among you folks here!
I tried out ShredCow's Blackstone and yes I do think it's got a real nice tonality however I still get better dynamic control and OD choice from combining a SD1 withe either a OS2, BD2 or MT2 (of cos all self custom modded of cos for my own needs
Fuzz pedals I'm personally a fan of 2 designs one of which is the rude sounding FoxxTone/ French Toast which I'm constantly tweaking about to match my varying needs. The other Fuzzy pedal of great interests in design and sound is the Zvex Fuzz Factory!
Ok about the CS3. It was originally designed to work better with active pickups which were really popular in the mid 80's as the previous Dynacomp like CS2 clamped too quickly on a hot signal from high output pickups which wer gaining popularity then. I used to use active SD or EMG pups for my stage guitars but later on discovered that I was developing more of a liking towards passive pups. Unlike active pups passive pups when combined with the guitar's volume pot into a full tube amp setup do have a rather unique organic like control over gain and tone which is really nice.
The modded CS3 which I personally use and tweak for others to taste revives the natural Lows and top Highs in the original signal. If you find the stock pedal's deep compression character too much to your liking you'll find this more noticeble in a Dynacomp, Keeley and CS2 even in low Sustain knob settings. All compressors will somehow affect your tone but it should be in a good way right?

Personally I like the use of the CS3 to control the dynamics from subtle to obvious without affecting the original tone too much. I use it with both Humbuckers and Single coils and active pups and with the addtional 3 way Treble Bypass Toggle Switch also use the modded CS3 for my Godin Multiac Steel Acoustic. The Toggle switch selects the amount of natural Hi End Sheen to pass through the CS3 unaffected and this helps me to retain a more natural "Zing" from the electric or acoutic guitar without having to resort to active eqs or dialling in more Highs from the amp. This is a technique I recommend for getting as much natural tone with minimal noise from your entire rig.
Like Fuzz, OverDrive and Dist pedals the Compressors stock, boutique or modded like the CS2, CS3, Ibanez CP9, Keeley, Barber Tone Press are all variations of the classic Dynacomp. Each of which are have their own sonic personality and unwritten possibilties of musical application. To each his own as they say.
HOpe this has been helpful ya.
