Whitestrat
New member
I used to jump on the bandwagon that getting a better amp will be more benefitial than changing pickups. Its true though, but usually you'll need to spend LOTS more money buying a better, quality amp. A pickup change will set someone back maybe 300sgd? For a good set of pickups. Although those with 10w 6" speaker solid state amps, please upgrade those, a pickup swap won't help.
I only realised that pickups made such a significant change in tone when I actually did it for myself.
But here's the really important thing. You really really need to know what kinda tone you want to achieve and have a sound in the back of your head. Don't change just because stock pickups are boring or uncool.
I think they both go hand in hand. The pickups will only be part of the equation. The amp forms the rest. A good amp will reveal the limitations of your pickups. A great set of pups will reveal the limitations of your amp.
But the key factor is, before you go and spend top dollar on a killer set of pups, take the time to not only know what tones you want, but rather, understand the history of pickups. Understand the PAF, as well as the reasons for DiMarzio creating the super distortion. Once you understand those, you'll understand how well your current rig works, and how best to modify it to what you want.
For example, say I'm after a Michael Romeo tone. Would I get it with a Mesa Boogie and a Jason Lollar Imerial PAF wind? No. But not because the components are bad. But you must understand that MR's tone results in compression and saturation. Pumping levels of gain will not solve your problem, simple because the PAF is the weak link there. It doesn't deliver enough juice to saturate the gain circuit to begin with. he uses an X2N in the bridge and a Tonezone in the neck. The whole idea is to drive whatever pedal or amp he's running into ridiculous amounts of saturation, and that gives him a dynamically dead tone, that's super usable for his playing, which is not pressure sensitive. A small tap already yields a great amount of output. So he's able to play any way he likes, and he gets his tones, no matter what.
Getting a Joe Bonamassa tone, say on "Black Night", on the other hand, is a matter of simply playing your amp loud enough that the amp opens up and breaks up slightly and you get a bit more distortion from simply hitting the strings harder and sounds quite clean when you pick soft. If you're playing at low volumes, a PAF with a TS808 set to 0 gain would work wonderful. Just concentrate on your picking. Here's something where an X2N/Invader will definately not work. The TS808 would have been pushed too hard to maintain a sweet low gain tone and kill what you set out to achieve.
So both components matter, and understanding how the whole chain works will save you a lot of money, and time.