caution, long post. apologies in advance.
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1) i've been friends with the fellas from 3dash1 for quite some time now, and i say this in complete honesty: they're still the same guys they used to be. probably even more humble now than they were before winning school of rock. part of why they may have to pull out of certain events or do certain things a certain way is because they're under Music and Movement's management. so as a general rule that applies to everyone, please get to know the guys first before making a judgement about their ego or character.
2) it's always fun to see technical elitists and songwriting supporters arguing about which one is "better". metalheads and shredders vs punk/alt/indie/brit rockers vs experimental bands. it's all very polarized.
for once i'd like to see people who make music of different genres come together and support each other as musicians, rather than try and put others down.
you might not know this about WGB's music but if you catch us live and listen to certain things, you'll recognize obvious influences in technique and chord work from metalcore, classical music, jazz, jam rock, and alternative. these are genres we enjoy playing and listening to. (Jude, WGB's bassist, plays some pretty uncomplicated stuff, but when he's at home playing his guitar, he plays metal so crazy that it boggles my mind.) so it's not the case that alternative bands aren't able to play metal, or that they don't like metal, nor is it the case that people who play metal don't appreciate playing chilled out music like Jack Johnson or alternative music like Motion City Soundtrack.
music isn't, and shouldn't be, that polarized.
there will always be bands that aren't hugely popular, because they're difficult to appreciate. bands like Between The Buried And Me, for example. amazing band, incredible technique, very complex songwriting, but difficult to appreciate for the average listener. a lot of the time, metal falls into this category. it's not the metal band's fault for appreciating and playing it, and it's not the audience's fault for being unable to appreciate it, because it's inherently difficult to appreciate. it doesn't give those who appreciate it the right to musical elitism though, nor does it give those who can't yet appreciate it the right to bash it.