My opinion of what's wrong/needs to be improved on with SG music scene.

Ageingyouth! hi.please please please give them more giggs to play. wanna see more of them.
or maybe a solo set. thatll be so rad. thanks.

Hey, sometimes it's not up to us. In any case, we are looking into some shows next year whilst they start the pre-production for their sophomore album.

B-Quartet will be performing on Sun 23 Nov. It will probably be their last show for a long time as drummer Hidir is entering NS soon.

So come down if you can make it.

The details would be up very soon. :)
 
Yes, there are many factors. I frankly think the main problem is the horrid standard set for bands. But obviously I can't say that support will 100% arrive if there are good bands, we just have to fix the problem that we can fix. No point having e-zines, tv-shows, promotions when there's so little good fresh music and boring ass live shows.

In my opinion, this is what's holding the scene back.
1.Bad music being the standard, thus, too many crappy bands attaining status.

4.No originality, no emotion, no passion. I find myself spacing out when I listen to most local bands, they don't grab your attention, they have this "Okay I'm going to go on stage and play my instrument well hopefully don't screw up, maybe talk abit, make a few jokes and that's it." mentality. In simple terms, bad live performances.

6.Singaporean culture. What I'm specifically talking about is the awkwardness, the stage fright. There are too many bands who don't let loose, don't pour themselves out, don't give it a 100billion percent.

7.Horrible songs. This is an extension of bad music. The songs made by singaporean musicians are simply shit, the standard is so shit, most bands are just a name, you can interchange so many songs because they all sound the same. No dynamics within the songs at all either. Melodies are crap and typical. Everything is crap and typical. I could go on and on, but the point is the songs are horrible.

I might have other things to add but I'll end here for now.

ok here's my honest take.

to 1) Agreed. It's sad how certain horrible local bands that are not even tight ( which imo is a minimum requirement to perform) get good gigs, supporters, media coverage etc. Guess sadly there are some in this country that's musically deaf.

point 4) wow you must have been to really horrible gigs huh... i must disagree this. Local bands that i go down to watch put on an awesome show and the honesty and sincerity that i can perceive from their performance is indeed heartening. Don't pull the good bands locally down with your cheap stereo-typing because i think you're not doing them any justice.

point 6) It's a singaporean culture to have awkwardness and stage fright? oh sorry didnt know. Imo, the probable reason for stage frights and not "letting loose" are maybe cause the bands are technically not confident of what they are playing, which can happen to any amateurs globally etc. Not correct to equate this with a singaporean culture haha. This equation's rather bizarre, childish.

and lastly 7) "Horrible songs? songs by singaporean musicians are simply shit?" all i gotta say is open your ears more, quit stereo-typing. Yes, there's horrible rubbish out there, but there're good bands like Withered tree, Suicide Solution and Zero sequence for example with kick ass originals too. So, stop barking and generalizing everything. You're making yourself look extremely bitter and pathetic.
 
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Blank, no offence but it's quite possible you've missed out on some great gigs and haven't uncovered some really good bands in the local scene... :P

Btw does anyone happen to have Stoned Revivals' "Stoned Allycat" mp3? Please PM me and pass it to me if you do!
 
That'd be better.

Or you can search for him: Esam Salleh on Facebook. :)

They will be playing a show this month in Singapore.
 
ok here's my honest take.

to 1) Agreed. It's sad how certain horrible local bands that are not even tight ( which imo is a minimum requirement to perform) get good gigs, supporters, media coverage etc. Guess sadly there are some in this country that's musically deaf.

point 4) wow you must have been to really horrible gigs huh... i must disagree this. Local bands that i go down to watch put on an awesome show and the honesty and sincerity that i can perceive from their performance is indeed heartening. Don't pull the good bands locally down with your cheap stereo-typing because i think you're not doing them any justice.

point 6) It's a singaporean culture to have awkwardness and stage fright? oh sorry didnt know. Imo, the probable reason for stage frights and not "letting loose" are maybe cause the bands are technically not confident of what they are playing, which can happen to any amateurs globally etc. Not correct to equate this with a singaporean culture haha. This equation's rather bizarre, childish.

and lastly 7) "Horrible songs? songs by singaporean musicians are simply shit?" all i gotta say is open your ears more, quit stereo-typing. Yes, there's horrible rubbish out there, but there're good bands like Withered tree, Suicide Solution and Zero sequence for example with kick ass originals too. So, stop barking and generalizing everything. You're making yourself look extremely bitter and pathetic.

The entire point IS to generalize and stereotype. I'm giving a general statement. I'm not applying it to every and any singaporean band. If you would care to read my posts throughout this 10 page thread, I HAVE praised local bands.
Yes, not all singaporean bands are that horrible and have horrible songs and have horrible live shows.

However, I really couldn't say that any SG band really... engages me, though Fire Fight and B-quartet are pretty impressive, in time to come maybe.

As for point 6, yes looking back that was rather stupid, my excuse is that I was terribly sleepy!
 
with regard to blank's post:

i'm not sure what you mean by "the standard"; based on what, what you hear on radio? what you see reviewed by newspapers and media? the songs posted in soft's OM section? random myspace pages? gigs, regardless of the purpose, size or venue? as for status, Singapore is a small place, it's not hard for more popular bands to become well known and featured but that's only because there is always a gap in pop culture that needs to be filled with recognition, regardless of how actually successful or self sufficient an artist is. there can be no independent scene without the flip side of the coin, namely a successful commercial industry.

as for the industry holding back progress, there is little reason for the big players in the music industry to care, when the music industry itself is in the dirt, and resources are primarily allocated for promoting international commercial releases and licensing for new technologies and revenue streams such as Guitar Hero. Numbers wise, our critical mass here is insignificant and has not shown a past history of support for a niche market like local music - further perpetuating reluctance for players to spend more to try to gain a share in a risky unsubstantiated area. for bands that write original English music there is no viable touring circuit; language barrier in Asia and prohibitive costs for AU, EU, US (plus a very protective internal industry with musicians unions etc and further barriers to entry). if you want to do it - play shows, release albums, promote the scene - we do it ourselves. that's the way it's always been, and as far as starting points go, it's not much different here and overseas, except that in more sophisticated markets you actually have a blueprint for the next feasible steps.

If you don't have active and enthusiastic promoters and distribution in the countries you are touring, it'll just be a glorified vacation and adventure for you.

with regard to so-called laziness of bands, isn't that a double edged sword. when bands hard sell their music people call them desperate. the internet cuts down on barriers, but so what - the sheer overwhelming number of choices makes it difficult for anyone to stand out without external traditional forces like promoters and publicists (and the peripheral mass media to push the word). finding good music is like finding a needle in a haystack. the internet is just one medium. without other traditional sources and media, it'll be hard pressed for anyone to find or notice you.

as a slight digression - having virtually any band's music accessible for listening to via a google search and downloading via P2P software doesn't necessarily benefit anyone other than listeners. bands rely more so than ever on touring and live shows for revenue (which is when merch is actually sold). and with listeners being spoiled for choice - it's so easy to be a "music fan" these days. just a few hours, google, youtube, myspace and your p2p app of choice. it's all transient. there's no real love, no sense of ownership or loyalty. it's all flavour of the month, a fake sense of knowledge and worldliness where discovery costs nothing. where music is just another extension of fashion and lifestyle.

the bands we all claim to love and support - how many of us actually buy the CDs or pay download license fees or buy merch? is fandom all just lip service? being young and having limited allowance / income is no excuse, since the advent of the gramophone kids in the past have saved up for each precious disc, because there was no other choice. gone are the days of poring over liner notes and listening to an album till you memorised every nuance of it and your tape wore out. everything's catered to fit an ultra short attention span and to satisfy immediate gratification.

blank, you listed a lot of very interesting artists and bands in your other post looking to form a band. just curious - not putting you down or anything - but i thought i recalled seeing a post where you said you were 17. i take it that it's been a few years at most that you've been listening to this, as i doubt you picked up Jawbreaker's Dear You when it first came out - you were 5 years old. It's cool that you are coming around to discover the building blocks of bands today in the form of the web of influences and connections throughout the years, but there's a rich history in all music - not just in the US / UK industries, but here included. At your age you're probably hoping to soak up everything like a sponge, but give it time - why not take your time to actually listen and absorb some of it. Music appreciation is not just downloading hundreds of albums, new and old, and playing them once or twice in the background. Likewise, the scene here is full of history and while no one is going to blame you for not having seen the Padres in their heyday, it's sad if you're going to be so jaded to put things down without actually trying to get into the culture of it - and having fun. Success or failure is all inconsequential, there is no substitute for actually connecting to part of something bigger than you.

Going to a handful of shows and watching a few bands play and then checking out their myspace is only scratching the surface...remember it doesn't make you an authority on the verisimilitude of the scene's health. go with an open mind not with your arms folded and head cocked to one side. While you don't have to be involved either as a musician or organiser in order to criticize bands, i think it's alot more enriching if you do try to do your part, showcase your stuff, make some friends and support and encourage each other to push yourselves and actually do something to contribute to the growth of things. Maybe there'll be some empathy you might develop. Goodness knows, the standard of bands 10, 15 years ago was far less developed than it is today. Still there was lots of fun to be had, and some very good music created - stuff that wasn't Pro-Tooled within an inch of its life. Occasionally out of tune vocals and guitars, off beat drum fills here and there? Check, in spades. But there was undeniably a lot of sincere enjoyment to be found. Make music because you want to and it's fun - whether it's commercial pop or experimental art, whatever. But for goodness sake, leave cynicsm and indie elitism at the door, otherwise you'll never have any real pleasure out of listening to music and the feeling of being intrinsically involved regardless of capacity in an organic, constantly developing community.
 
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The entire point IS to generalize and stereotype. I'm not applying it to every and any singaporean band.

wtf?? LOL makes no sense. You're a very lost child=) Anyways i'll like to see you on stage performing. Hiding behind your little screen with your delusional "know-it-all" comments is simply annoying.
 
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great post dan, nice, long and inspiring. I'd love to hear your thoughts on IP, since the discussion is coming close to a circle now.
 
the bands we all claim to love and support - how many of us actually buy the CDs or pay download license fees or buy merch? is fandom all just lip service? being young and having limited allowance / income is no excuse, since the advent of the gramophone kids in the past have saved up for each precious disc, because there was no other choice. gone are the days of poring over liner notes and listening to an album till you memorised every nuance of it and your tape wore out. everything's catered to fit an ultra short attention span and to satisfy immediate gratification.

I missed those days BUT I'm reliving it again. I've rekindled a new old passion of poring through those racks and shelves of used CD looking for that "eh this looks familiar/interesting, lets check out the label, which era was this from" and having a massive stiff neck afterwards.
 
hey dir, thanks for the kind words...IP as in intellectual property? if you search my past posts, one of my first actually and the reason why i joined this was to contribute some input on a thread on copyright laws, how far this relates to us as musicians and what our options are etc. you can PM me if you have any specific queries or want me to share my view on any particular point, i'll be happy to shoot the shit.

in short...i think most artists here (English at least), even the perceived "successful" ones, have never fully commercially exploited the potential of IP and licensing. alot of this is due to our limited infrastructure and lack of professionals willing to help, and the fact that no one's successfully harnessed the power of the internet here together with the other necessary angles of approach (namely physical and digital distribution, and touring - ie having an effective label, promoter and publicist with experience and reach). but this is still an old tried and tested formula...it's time to really work on new approaches and anyway, what Astroninja are doing could potentially be the next game changing steps as far as grassroots independent net-only promotion goes. A+ for effort, and I hope it all works out for them!
 
wtf?? LOL makes no sense. You're a very lost child=) Anyways i'll like to see you on stage performing. Hiding behind your little screen with your delusional "know-it-all" comments is simply annoying.

No, actually it does. I'm making a general statement. If you don't understand then too bad.
Also, if I annoy you, how sad, this is the internet and if you get annoyed enough to insult me considering how my posts have been you should simply learn to be more relaxed.
We've had quite a civilized thread, I don't see why you're resorting to personal attacks.
 
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Hmm. Based on the more well-known bands in the rock music scene. This thread has been mainly focused on that actually, I don't know much about the commercial chinese pop, malay pop etc etc scene, so I don't talk about that at all.

Laziness of bands, I don't think bands should fear of being looked at as desperate. I think most bands are probably desperate. You don't have to be some kind of salesman walking around and talking in some terribly cheesy pre-planned accent telling people about your band. But simple acts of giving CD's of 1 or 2 of your songs and maybe some other bands songs too, putting up flyers here and there, talking to local magazines, there are some radio stations that promote local music now too.

I agree, the generation now is the generation of short attention spans, and a "We want it now!" mentalities. I am pretty guilty of that. But not completely, I still do listen to some albums over and over and over again until it's pretty much drilled into my head. But still, I think downloading is beneficial towards artists, from my point of view anyway. If I liked their music I would go to their gigs and buy their merchandise.

And yes I definitely didn't get into Jawbreaker when I was five. I started listening to Dear You somewhere around the start of this year actually, and I'm in love with it.
I definitely want to soak up music like a sponge and get influenced and get all the ideas into my head, I blame it on my youth.
But at the same time, I definitely appreciate music alot more by listening to it over and over again and breaking it down into little pieces and enjoying all the little intricacies in the songs. As opposed to just looking at it as some toy that I play with now and then and then casting it aside when I get new toys.

As for the last part. I could care less about technicalities, but that's just my own point of view. Most of the bands I enjoy probably aren't technically gifted. But I don't put people down for enjoying technical music.

Regarding my supposed 'cynicism and indie elitism'. I think I'm probably quite a cynical person by nature, so that would bleed into everything I criticize or have an opinion on. As for the indie elitism, if anything I'm probably the most against that, I don't care whatever people listen to, I just think people should listen to more music as opposed to sticking to those few bands that get played on the radio and have lots of hype. This would make their music alot more interesting. I want them to get into more bands, I don't sit back and go "Oh I listen to all these cool bands that you wouldn't know anyway."
For example, I think the spice girls are pretty awesome, I don't know if they write their songs but I enjoy the songs. I also enjoy good rock songs, like those really typical ones, I think those are the songs that usually get people into music, and that's a good thing. I actually started really getting into music at 12ish when I watched school of rock.

I don't think just because one listens to more unknown bands they are cooler and get 'indie cool points'. I really dislike people who think like that.
You mentioned something about how finding good music is like finding a needle in the haystack. I disagree, there's so much good music, too much, the only limit is time. But you have to look for it in the right places.

doublepost because post was too long.
 
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Laziness of bands, I don't think bands should fear of being looked at as desperate. I think most bands are probably desperate. You don't have to be some kind of salesman walking around and talking in some terribly cheesy pre-planned accent telling people about your band. But simple acts of giving CD's of 1 or 2 of your songs and maybe some other bands songs too, putting up flyers here and there, talking to local magazines, there are some radio stations that promote local music now too.

Believe me that's the first thing bands do. it's only logical!

Here's the news, high chance it'll get ignored unless the record is serviced (usually by a label rep, and even now many stations plan their own playlists without label intervention - but still what's in it for them to play your song?).

for the few local magazines interested in this, they do their part. however let's face it - demand on either end is not really high as these are not perceived as procuring high interest.

if you're talking about doing the same for foreign radio stations and zines etc? you try it and tell me if it works :)

But still, I think downloading is beneficial towards artists, from my point of view anyway. If I liked their music I would go to their gigs and buy their merchandise.

I used to think that as well - it would certainly have a better chance of working in say the US where touring circuit is prevalent and necessary - less likely here. So we get the catch 22 where a local band says "support local music and buy our cd" and people jump in and say "why should we buy your cd just because you're local"? my take is this - if there are 20 bands i am considering buying their music and a local band happens to be one of them, i would prioritize the local band's album because I know how essential that is given the limited revenue resources. but would i buy a local band's album if i have no interest whatsoever just to support the cause? no.

As for the last part. I could care less about technicalities, but that's just my own point of view. Most of the bands I enjoy probably aren't technically gifted. But I don't put people down for enjoying technical music.

Actually it wasn't about technicality, it was about recording quality and production; are you saying that you have no issues with this aspect with regard to local bands, and your complaints are purely on the songwriting, music, lack of showmanship, lack of some engaging star quality, etc?

I personally felt that some of the bands you criticized - you were being harsh and the same complaints could well have been addressed to just about any other band, regardless of their origin. Take I Am David Sparkle, which you said sounded too Mogwai-ish - the Mogwai sound has itself changed across every album from their early singles to now. Even within albums, Mogwai has a rather broad songwriting style and I think it's easy to discern one track from the next. Mogwai in turn derived plenty of it's early sound from Slint, Rodan, June of 44, Sonic Youth etc. Ok, let's go easy - which era of Mogwai do you feel IADS emulate? Or is it just that a band playing instrumental post rock will automatically get tagged with a tag because it's easy to make that association? be honest.

Songwriting wise, alot of the bands you mentioned do write genre-specific songs - there is nothing wrong with that if they're good at it, in fact you do expect a band to somewhat play along the lines of a certain sound. Not every form of music is meant to be experimental and bold and cutting edge and different for the sake of being so. Music's largely about enjoyment, and sometimes it's simple catchy stuff that works that angle best.

For example, I think the spice girls are pretty awesome, I don't know if they write their songs but I enjoy the songs. I also enjoy good rock songs, like those really typical ones, I think those are the songs that usually get people into music, and that's a good thing. I actually started really getting into music at 12ish when I watched school of rock.

Good on you for being honest about that. Just appreciate there's a long way to go, and I'm just hoping you realise that your "journey of discovery", to dial a cliche, has barely begun. You may not realise it, but your post betrays a certain arrogance and smugness that you later claim you are opposed to.

You don't have to like local bands, for sure. But to say that you are stereotyping and generalising really does completely disregard all the effort and hard work that bands put in. At least recognise that and respect that. Alot of the time our prejudices are inherent and we may not even recognise them. They may stem from reasons as trite as "wow they're nothing special" which translates to "hell i could do that better, if only [...]" - impressions that you could have formulated from just seeing them play one gig, staying for 3 songs, and then moving on. Be honest with yourself about where you're coming from.

You mentioned something about how finding good music is like finding a needle in the haystack. I disagree, there's so much good music, too much, the only limit is time. But you have to look for it in the right places.

Time is a very rare and precious commodity that many people do not have the luxury of. Say you're working a 12 hour job or doing your post grad studies. you want to listen to good music. what do you google, "good music"? you need an active interest and acumen to follow, read up and listen in depth to new music. and we all know sometimes it takes repeat listens for something to really shine. where does that leave those with no time? this is the reason why history has shown great success in radio and mtv spoonfeeding the general population - they're telling you what to like! they play it on repeat, and naturally after repeat listens, people tend to pick up on something and their interest and like grows (until you reach the saturation point / overplaying). That's basic psychology.

This is also why most people play safe and stick to what they know, and stick to safe recommendations and what they've heard someone say is good (either by implicit or explicit endorsement, eg radio and advertisements respectively). i have no beef with that and understand the commitment required to even stay tuned to the gajillions of new bands and music. sometimes the more choice you have the harder it is to narrow it down and find something that truly works for you.

for me, as long as music means something to you, you deserve to derive your enjoyment out of that. we are all free to have opinions but i also think we should seriously think carefully about how and why we formulate these opinions. there's no shame in one day realising and admitting that we said some pretty stupid shit that was based largely on ignorance, prejudice and wanton assumptions. Hope that day comes for you sooner rather than later. :)
 
Believe me that's the first thing bands do. it's only logical!

Here's the news, high chance it'll get ignored unless the record is serviced (usually by a label rep, and even now many stations plan their own playlists without label intervention - but still what's in it for them to play your song?).

for the few local magazines interested in this, they do their part. however let's face it - demand on either end is not really high as these are not perceived as procuring high interest.

if you're talking about doing the same for foreign radio stations and zines etc? you try it and tell me if it works :)

I don't mean just passing CDs around to their friends. I mean maybe setting aside some time to give them out to strangers, probably at polys or arts institutes as those people would probably be more open to it. And no I wasn't talking about foreign ones.

I used to think that as well - it would certainly have a better chance of working in say the US where touring circuit is prevalent and necessary - less likely here. So we get the catch 22 where a local band says "support local music and buy our cd" and people jump in and say "why should we buy your cd just because you're local"? my take is this - if there are 20 bands i am considering buying their music and a local band happens to be one of them, i would prioritize the local band's album because I know how essential that is given the limited revenue resources. but would i buy a local band's album if i have no interest whatsoever just to support the cause? no.

Hmm. I still stand by my point that downloading helps bands if anything.
I too would buy a local band's album if I genuinely enjoy their stuff, why would I buy any CD, local or foreign, if I don't enjoy it.


Actually it wasn't about technicality, it was about recording quality and production; are you saying that you have no issues with this aspect with regard to local bands, and your complaints are purely on the songwriting, music, lack of showmanship, lack of some engaging star quality, etc?

Well, I do not really care for recording quality or production that much, I do care for it, but really, I'd still listen to good songs regardless of production. As for the technical part, obviously they can't be sloppy and completely all over the place on recordings, that would probably sound bad, and... well that isn't good. But yes I do think the songwriting here is lacking quite a bit.
 
I personally felt that some of the bands you criticized - you were being harsh and the same complaints could well have been addressed to just about any other band, regardless of their origin. Take I Am David Sparkle, which you said sounded too Mogwai-ish - the Mogwai sound has itself changed across every album from their early singles to now. Even within albums, Mogwai has a rather broad songwriting style and I think it's easy to discern one track from the next. Mogwai in turn derived plenty of it's early sound from Slint, Rodan, June of 44, Sonic Youth etc. Ok, let's go easy - which era of Mogwai do you feel IADS emulate? Or is it just that a band playing instrumental post rock will automatically get tagged with a tag because it's easy to make that association? be honest.

Yes mogwai did as you say. But I think that comparison isn't quite right, mogwai might have been influenced, but their sound was pretty different from all the bands you mention. Probably closest to slint, but still they were still quite different in my opinion. I see accusations of them being slint rip-offs being similar to the muse and radiohead comparisons. There might be similarities but their not just stealing the other band's identity.
Which I feel i am David sparkle did.
But I've checked out i am david sparkle's myspace and they seem to have evolved. Though I think it sounds worse now.
I'd say they stole from different parts of mogwai eras. Most from young team and mr beast, those are the two albums I listen to the most from mogwai, so maybe they've taken some from other albums i wouldn't know.

Songwriting wise, alot of the bands you mentioned do write genre-specific songs - there is nothing wrong with that if they're good at it, in fact you do expect a band to somewhat play along the lines of a certain sound. Not every form of music is meant to be experimental and bold and cutting edge and different for the sake of being so. Music's largely about enjoyment, and sometimes it's simple catchy stuff that works that angle best.
Different for the sake of being so? I think people have this common misconception that some bands are just trying to go about doing some uber avant-garde stuff just for the sake of doing weird and ridiculous shit. I mean there are obviously some people who do that, but there are plenty of bands who try and come up with interesting and fresh music, borrowing influences from all over. As opposed to just sticking to one style of music and playing it over and over again.
I acknowledge that not every form of music is supposed to be experimental etc etc. But I think if the scene wants to grow it has to have different types of bands, the scene now in my opinion is very sameish, the only way you can differentiate a good handful of the bands is the vocalist.
I know, people want to enjoy music, that's the point of it. I don't put down bands for wanting to play normal rock, pop, hip hop whatever the hell, or force their bands into a genre. But frankly I think they don't do it well, it's simple as that. Electrico for example, the way I see it they don't do anything new, especially their older stuff, but they sound good. I like them, though I prefer more interesting music but I still think they do what they do decently.
My one post about doing something different, was more catered towards a musician group. From my point of view, new interesting fresh music would help the scene alot more than just a bunch of what are essentially cover bands. Look at the 60s-70s, punk, grunge. Sure the leading bands weren't that original, but they didn't go backward.
I want to reiterate the point that I have nothing against cover bands, bands who just want to play certain genres, bands strictly formed for fun, etc etc. This thread is about what is needed to improve the SG rock music scene, and in my opinion, what is needed is something more interesting.

Good on you for being honest about that. Just appreciate there's a long way to go, and I'm just hoping you realise that your "journey of discovery", to dial a cliche, has barely begun. You may not realise it, but your post betrays a certain arrogance and smugness that you later claim you are opposed to.

I know, I'm 17, I realise it.
As for my arrogance, if I'm right, you're referring to that entire indie elitism thing? Well I do not think I am better or superior to people who choose to listen to radio music, hype bands, jazz, blues, pop, whatever. Anyone can listen to anything they want to, music is all about enjoyment. If you want to listen to caracal, go right ahead. If you want to listen to the village people, I don't care. Do I think I'm better than you? No. I however will say in regards to the local scene, bands that are regressive do not help develop it to a point where it really matters, and when their horrible, they make it worse. I will say that I have been harsh on bands like caracal, cardinal avenue etc etc. Their not too old and they will grow.
Bands that bring something interesting to the table will be noticed, and they will inspire other bands to do something less generic, that's what should be ripped off, the mentality of progressing on to something else.
Obviously, one could sit back for 300 years if they live that long and see a really cool music scene, but if we can speed it up, why not?
I don't think local bands have no talent, everyone has talent, everybody who is willing has the ability to make interesting music. Just that I think most of their heads are stuck in a box.

If thinking that the local scene would benefit the greatest from bands making music that progresses, and more importantly sounds good, makes me an elitist. Which you say I don't realize, then I guess I don't.


You don't have to like local bands, for sure. But to say that you are stereotyping and generalising really does completely disregard all the effort and hard work that bands put in. At least recognise that and respect that. Alot of the time our prejudices are inherent and we may not even recognise them. They may stem from reasons as trite as "wow they're nothing special" which translates to "hell i could do that better, if only [...]" - impressions that you could have formulated from just seeing them play one gig, staying for 3 songs, and then moving on. Be honest with yourself about where you're coming from.

I think, when one is making a general statement about a wide topic. Their basically stereotyping and giving what is essentially a summary of whatever it is. Not to mention, I was specifically talking about the negatives. I wasn't giving a summary of the local scene, I was giving a summary of what I think is holding it back.


Time is a very rare and precious commodity that many people do not have the luxury of. Say you're working a 12 hour job or doing your post grad studies. you want to listen to good music. what do you google, "good music"? you need an active interest and acumen to follow, read up and listen in depth to new music. and we all know sometimes it takes repeat listens for something to really shine. where does that leave those with no time? this is the reason why history has shown great success in radio and mtv spoonfeeding the general population - they're telling you what to like! they play it on repeat, and naturally after repeat listens, people tend to pick up on something and their interest and like grows (until you reach the saturation point / overplaying). That's basic psychology.

Nothing wrong with people who want to focus on other stuff besides music. I've mentioned before that music isn't the most important thing in life, which is pretty obvious, and if someone wants to focus on medicine, physics or whatever, good for them.

If you really do care about music, I don't think there's any excuse for not having enough time. It's all about whether you're dedicated enough to choose a career related to music, or go and do something that will make you a decent living. People are realistic, they want to just earn a living, because after all they want to make their kids have better lives, make their wife happier, etc etc. If they want to do that, that's fine, but it's all about whether you want to sacrifice things for music. I'm still 17, maybe I'll eventually lose this fire for music and go become a insurance agent, but right now this is how I feel about it.

for me, as long as music means something to you, you deserve to derive your enjoyment out of that. we are all free to have opinions but i also think we should seriously think carefully about how and why we formulate these opinions. there's no shame in one day realising and admitting that we said some pretty stupid shit that was based largely on ignorance, prejudice and wanton assumptions. Hope that day comes for you sooner rather than later. :)

you keep assuming that i think people are less deserving of music because they listen to stuff i don't like or think is boring, or people don't deserve to play it because they play bad music, they play generic music, etc etc. this is untrue, i think i've repeated this over and over again. people can do whatever makes them happy, i do not think i am better than them.
people seem to be derailed from the topic which is the local rock music scene and thus are targeting me from my slamming of local bands who do not do as much as they could for the local scene, by doing something more interesting and being more engaging. they don't have to of course, but you know, this is just me, suggesting what could be done to help the local scene.

god this is so long, i've probably repeated certain things many many times.
 
one last thing to add.

of course in the end, all local bands indirectly help the scene, maybe by inspiring whoever to pick up an instrument or form a band. but i think it could evolve to something greater, and faster, if bands that are willing, to start moving on from just making generic or unoriginal music.
 
mogwai pretty much stole from slint, sure maybe they "evolve" and stuff but only their first couple albums is worth listening to anyway. on the otherhand, the only time Slint is being mentioned is because of bands like mogwai. No one cared about them before 1998.

^^ see how easy that was? and how non-arrogant I'm being!

(subjective opinions don't really help anyone, but i love reading them anyway)
 
dir, i really don't see how your short sarcastic insights help much either.
people are shifting this topic from what can be done to help the local scene to general 'original music' discussion.
it is all subjective, because you know, it's supposed to be a discussion(which is everyone giving their opinions) on what can be done to be help further the local singapore music scene. i never said "oh guys, if the bands did this that blah blah blah then it will 100% be alot bigger and much better." it might.
 
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