GT 8 or GT -10.. or PODxt or Digitech or Vox?
- Thread starter bedokkids
- Start date
superpotato_30
New member
Hi bro i would think the GT-10's value for money is approximately 8/10
The stuff on the M-efx are really good provided you can use all the functions available such as the dual amp system and stuff. If you can i suggest you get the GT-10 rather than the 8
just my 2 cents worth
For other stuff like the line6s im unsure so yea..
The stuff on the M-efx are really good provided you can use all the functions available such as the dual amp system and stuff. If you can i suggest you get the GT-10 rather than the 8
just my 2 cents worthFor other stuff like the line6s im unsure so yea..
MadWerewolfBoy
New member
Pod X3 Live
(yeah, i know i'm so helpful)
:twisted:
(yeah, i know i'm so helpful)
:twisted:
Whitestrat
New member
GT10 and the PODs are very different things altogether. Cannot be compared side by side.
Godspeed64
Active member
Sell everything and play guitar hero lah! :mrgreen::mrgreen:
bedokkids
New member
you are the one who bought from me the wah?
still interested in my jimi hendrix wah too?
haha
bedokkids
New member
Godspeed64
Active member
Yeah.. The Morley.. Not interested in the Hendrix wah man.. Not much of a wah fan..
Whitestrat
New member
I know. Even then. The GT8 is a stage ready multiefx pedal. nothing more. The POD is all that and more.
bedokkids
New member
pardon me,
can you explain withe "all that and more"
from the naked view of the pod pix, it seem that they are very simplifed,
and i thought it's might be a down scaled competiting product to GT series
Godspeed64
Active member
The POD can be used as a USB interface, to plug in to your com and record directly? I think so..
Whitestrat
New member
The POD is a one stop guitar recording interface. Any amp you want, it probably can simulate. When recording yourself onto the PC, it just uses a USB connection, and you have full control over it via the PC. Also, there's a huge library of tones on www.customtone.com by Line 6 ensuring you'll never run dry of tones.
Also, you can skew your recording tones to ANYTHING you want. Mic far? Mic near? Realignment of pedals? All controllable via PC.
For use as a multi-efx, just switch off the amp stage, or keep it on if you're using a neutral clean amp and emulate that vintage marshall you want.
It's more complex than anythign else on the market, but much easier to use.
Lets see the GT do all that.
Amps in a PODX3Live
1. "Wide panel" Fender® Deluxe Reverb®
2. Fender® Bassman®
3. Fender® Deluxe Reverb®
4. Vox® AC-30
5. Marshall® Super Lead
6. Marshall® Super Lead ("jumped" channels)
7. Roland® JC-120
8. Marshall® JCM-800
9. Soldano SLO-100
10. Mesa/Boogie® Dual Rectifier®
11. Marshall® 1974X (18W Reissue)
12. Orange AD30TC
13. L6 Treadplate
14. L6 Chemical X
15. L6 Insane
16. L6 Piezacoustic 2
17. L6 Spinal Puppet
18. L6 Tube Instrument Preamp
19. Bogner Uberschall
20. Cornford mk50h
21. Diezel VH4-Lead
22. Diezel Herbert
23. ENGL® Powerball
24. Marshall® Silver Jubilee
25. Marshall® JCM-900-Clean
26. Marshall® JCM-900-Dist
27. Marshall® JCM-2000
28. Mesa/Boogie® Triple Rectifier®
29. Peavey® 5150 II®
30. Bogner Ecstasy
31. Diezel VH4-Crunch
32. Fender® Vibroverb
33. Fender® Dual Showman® Head
34. Marshall® JMP-1
35. Vox® AC-15
36. Mesa/Boogie® Mark IIc+
37. Fender® Bassman® Head
38. Gretsch® 6156
39. Fender® Mini Twin Reverb®
40. Gibson® GA-18 Explorer®
41. Marshall® Super Bass
42. Marshall® Major
43. Silvertone® Twin Twelve
44. Supro® Thunderbolt
45. Vox® Fawn Non-Top Boost AC30
46. Dumble® Clean
47. Soldano SP88
48. Marshall® JCM 2000
49. Marshall® Super Lead Variac
50. Matchless DC-30
51. Blackface Fender® Twin Reverb®
52. Marshall® "Block Logo" JTM-45 head
53. Matchless Chieftain
54. Supro® S6616
55. Fender® Tweed Champ®
56. Hiwatt® DR-103
57. L6 Big Bottom
58. L6 Fuzz
59. L6 Octone
60. L6 Smash
61. L6 Sparkle Clean
62. L6 Throttle
63. L6 Clean
64. L6 Mood
65. L6 Agro
66. L6 Class A
67. L6 Variax Acoustic
68. L6 JTS 45
69. L6 Lunatic
70. L6 Bayou
71. L6 Crunch
72. L6 Purge
73. L6 Sparkle
74. L6 Super Clean
75. L6 SuperSpark
76. L6 Twang
77. L6 Chunk Chunk
78. Budda® Twinmaster 2x12 Combo
Guitar Cabinet Models based on*:
6x9 Supro® S6616
1x8 1961 Fender® Tweed Champ®
1x10 Gibson®
1x10 Gretsch® 6156
1x12 Line 6®
1x12 1953 Fender® Tweed Deluxe Reverb®
1x12 1964 Fender® Blackface Deluxe Reverb®
1x12 1960 Vox® AC-15
1x15 1962 Supro® Thunderbolt
2x2 Fender® Mini Twin Reverb®
2x12 Line 6® Fender®
2x12 1965 Fender® Blackface
2x12 1995 Matchless Chieftain
2x12 Roland® JC-120
2x12 1967 Vox®
2X12 1967 Silvertone® Twin Twelve
4x10 Line 6®
4x10 1959 Fender® Bassman®
4x12 Line 6® Marshall®
4x12 1967 Marshall® Basketweave with Greenbacks
4x12 1968 Marshall® Basketweave with Greenbacks
4x12 1978 Marshall® with stock 70s
4x12 1996 Marshall® with Vintage 30s
4x12 Mesa/Boogie®
Effects:
1. Teletronics LA-2A®
2. EP-1 Tube Echoplex
3. Electro-Harmonix® Deluxe Memory Man
4. Uni-Vibe
5. MXR® Phase 90
6. Fender® Deluxe Reverb® Tremolo
7. Leslie® 145
8. Arbiter® Fuzz Face
9. Ibanez® Tube Screamer
10. Big Muff Pi®
11. ProCo Rat
12. Maestro® Bass Brassmaster
13. Sans Amp Bass Driver
14. Arbiter® Cry Baby
15. L6 Vetta Comp
16. L6 Sub Octaves
17. L6 Slap Plate Reverb
18. L6 Male De-Esser
19. L6 Female De-Esser
20. L6 Vetta Wah
21. L6 Digital Delay
22. L6 Six band semi-parametric EQ
23. L6 Flanger
24. L6 Sine Chorus
25. L6 Noise Gate
26. L6 Standard Spring Reverb
27. L6 Brite Room Reverb
28. L6 Medium Hall Reverb
29. L6 Cavernous Reverb
30. L6 Bender pitch effect
31. Boss® CS-1 Compressor (treble switch)
32. Tycobrahe Octavia®
33. Binson EchoRec
34. Maestro® EP-3 Echoplex
35. Boss® DM2 Analog Delay
36. Roland® RE-101 Space Echo
37. Square CE-1 Chorus
38. A/DA Flanger
39. Boss® CS-1 Compressor
40. MXR® Dyna Comp
41. Vox® V847 Wah
42. Custom Vox® V847 Wah
43. Colorsound® Wah-Fuzz
44. Maestro® Boomerang Wah
45. Cry Baby® Super - Jen Electronics
46. RMC Real McCoy 1 Wah
47. Mu-Tron® III Down
48. Moog and ARP style synth filters
49. Moog Lead
50. ARP Solina / Elka® Strings
51. Boss® Metal Zone MT-2
52. Chandler Tube Driver®
53. Fender® Vibratone
54. L6 Sweep Echo
55. L6 Reverse Delay
56. L6 Stereo Delay
57. L6 Ping Pong Delay
58. L6 Small Room
59. L6 Lux Spring
60. L6 Auto Swell
61. L6 Auto Pan
62. L6 Large Hall
63. L6 Vintage Plate
64. 64 Mu-Tron® III
65. 1960 Vox® AC15 Tremolo
66. L6 Tiled Room
67. L6 Rich Chamber
68. L6 Large Plate
69. Boss® CE-1 Chorus Ensemble
70. L6 King Spring
71. L6 Dark Hall
72. L6 Chamber
73. Boss® Metal Zone
74. L6 Vetta Juice
75. L6 Boost & EQ
76. L6 Clean Sweep
77. L6 Seizmik Synth
78. L6 Double Bass
79. L6 Buzz Wave
80. L6 Rez Synth
81. L6 Saturn 5 Ring Mod
82. L6 Synth FX
83. L6 Synth Harmony
84. L6 Squarge Chorus
85. L6 Expo Chorus
86. L6 Random Chorus
87. L6 Square Flange
88. L6 Expo Flange
89. L6 Lumpy Phase
90. L6 Hi-Talk
91. L6 Sweeper
92. L6 POD Purple X
93. L6 Random Sample and Hold
94. L6 Tape Eater
95. L6 Warble-matic
96. L6 Low Rez Delay
97. L6 Phaze Eko
98. L6 Bubble Eko
And this doesn't include the lsit of BASS amps and effects yet!!!!
So now you tell me. Which one more worth your $$$?
Last edited:
PatheinRaindropMoe
New member
interestingly, since edirol is under roland, if they wanna combined the recording interface thingy into the gt, it would be something similar. But i guess they have a separate direction between recording and geetaring gear.
Whitestrat
New member
Ya... it should have been a no brainer. But the Japanese do things differently, I guess.
MadWerewolfBoy
New member
Yes, my point in my previous post. Pod X3 is superior to GT-8/10 in terms of amp simulation and modulation sounds less synth-like. Boss's pitch shifter/tracker is better than Pod but effects have a synth-like characteristic that's quite obvious in most demos of it on youtube.
igoh002
New member
Hi there IMO.. it really depends what you're after.. Each of the multiFX boards have their own strength.. I haven't tried the BOSS GT yet only the VOX and XTLive.. but here's my simple conclusion based on my experience with them:
BOSS GT: Better for FX, Good FX, Flexible routing....
Vox ToneLab: Limited FX and routing, Better for Amp Sim with the valve..Sweet
XTLive: Great versatility, bi-channel routing, pretty decent FX.. but somehow, my experience with Line6 Pods is they can get quite harsh and digital. (maybe it's the lack of skill in tweaking)
Which is better? It depends..
(and then there's always the Nova System?)
BOSS GT: Better for FX, Good FX, Flexible routing....
Vox ToneLab: Limited FX and routing, Better for Amp Sim with the valve
..SweetXTLive: Great versatility, bi-channel routing, pretty decent FX.. but somehow, my experience with Line6 Pods is they can get quite harsh and digital. (maybe it's the lack of skill in tweaking)
Which is better? It depends..
(and then there's always the Nova System?)
Lancefury
New member
I agree. I own the VOX Tonelab LE and it definately shines in its amp/cab sims. It is the most analog sounding among all the multi-fx pedals imo. After playing through all 3 brands of pedals, I still stuck to my Tonelab. For recording, i just stuck the output into my line-in of my Audigy X-Fi and no one could tell that it was from a multifx.
