LimpPisskit
New member
Epiphone Les Paul elite>>Marshall Guvnor>>DOD delay>>>Marshall DSL200
JMguitars said:The TMB is great though it needs to be match to the right amp to sound good.
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y2k said:Can you guys include photos? Would love to see all the weird-ass pedals you mentioned. Anway, Mine goes like this:
03 Gibson Les Paul Classic --> Digitech Synth Wah --> EH Small Clone --> BOSS Compressor/Sustainer CS-3 --> BOSS Noise Supressor NS-2 --> TECH 21 SansAmp TRI-AC --> MXR Phase 90 --> MXR 6 Band EQ --> BOSS Volume Pedal --> BOSS Chromatic Tuner TU-2 --> BOSS Digital Delay DD-6 --> Marshall Valvestate 8040.
The TRI-AC is in the noise supressor's loop and the tuner is from the volume pedal's "tuner out". I'm thinking of ditching the CS-3 for a better compressor. Anyone has any good recommendation?
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dhalif said:hahaha man oh man.. rich people thread..
well here's mmine..
fender squier -> boss ds-1 -> any amp that can be plugged into
no mods on the squier.. just scalloped neck
no mods on the ds-1(taiwan)
and i can go with any amp at all.. at home my cable from ds-1 goes right into my soundcard
oh.. and one more thing.. sometimes i put in a vox v847.. but only if i really need it.. =) toodles.. *really not my kinda thread bwahaha* \m/
fibredrive said:JMguitars said:The TMB is great though it needs to be match to the right amp to sound good.
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hi, erm, newbie here, maybe u could explain to me how does one ensure the pedal suits the amp?
y2k said:Hi Cherubrock,
The TRI-AC is my secret weapon man
Regarding the heaviness, pretty subjective question if you ask me. I mean, depends on what kinda heavy tone you are looking for. Personally, i think it really delivers. Check out my band's demo recording http://lunarin.com/mp3/tower.mp3
The whole song was recorded with the "CALIF" setting. (p.s. we recorded live so my guitar volume was a tad low to prevent bleeding into the overhead mics) Of course, nothing beats playing thru an original mesa, but i thought this baby comes close to capturing the rectifier tone.
Oh, and yeah, its my only overdrive/distortion box. You can read my review of the TRI-AC here
http://soft.com.sg/new/modules.php?name=Forums&file=viewtopic&p=9638#9638
JMguitars Posted: Sat Oct 09, 2004 6:38 am Post subject:
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dhalif wrote:
hahaha man oh man.. rich people thread..
well here's mmine..
fender squier -> boss ds-1 -> any amp that can be plugged into
no mods on the squier.. just scalloped neck
no mods on the ds-1(taiwan)
and i can go with any amp at all.. at home my cable from ds-1 goes right into my soundcard
oh.. and one more thing.. sometimes i put in a vox v847.. but only if i really need it.. =) toodles.. *really not my kinda thread bwahaha* \m/
Which is why you'd probably play rings around us .....we're too busy collecting stuff to practise.
Hey Y2K, i do know your vocalist linda, conversed with her before via email regarding customising a pedalboard.
And great tracks you've got there, and splendid distortion and crunch! Its almost the kind i am trying to get. What amp you fed your signal into for recording? You were using your Gibson Classic
y2k said:Really? So have you got yourself a pedalboard already? Ours were custom-made by Flightcase Innovative using some "astro-board" material. They were supposed to make the case lighter. I think the case itself weigh about 6 kg.
For those demo songs, i fed my signal into a Marshall Slash Signature Series head thru a single 4x12 Marshall cabinet, miked with a single SM57. And, yes, i was playing my Classic LP on that as well.
y2k said:Hey Marshall_Law, glad you liked the set. I'm surprised you like the Gibson Silverburst too. I thought only the "older" generation would have heard of the Silverburst.
y2k said:For those demo songs, i fed my signal into a Marshall Slash Signature Series head thru a single 4x12 Marshall cabinet, miked with a single SM57. And, yes, i was playing my Classic LP on that as well.
You have a Marshall JCM Slash?!!!
You have a Marshall JCM Slash?!!!
Man, Slash signature marshall head? No wonder the gain and distortion was so good. Why do you still need the Tri-AC when you are playing through a tube amp head i wonder?
y2k said:My singal chain for recording is minimal:
Guitar -->> Secret Weapon (Pedal) -->> TRI-AC -->> Tube Amp.
Can anyone guess whats the secret weapon? :lol:
I dunno man...let me try. It is either a tubescreamer or an EQ. heh heh
cherubrock said:y2k said:My singal chain for recording is minimal:
Guitar -->> Secret Weapon (Pedal) -->> TRI-AC -->> Tube Amp.
Can anyone guess whats the secret weapon? :lol:
I dunno man...let me try. It is either a tubescreamer or an EQ. heh heh
Haha, yeah. Its no secret actually. The TS-9 really cleans up the muddiness. Try it out during jams. It works great. Problem is, when you have to switch to clean, you have to stomp on both the TS-9 and the TRI-AC. I heard there exist simple switching systems (not rack-type switching systems) that allow for switching between pedals. Anyone has a more in-depth knowledge on this?
y2k said:Haha, yeah. Its no secret actually. The TS-9 really cleans up the muddiness. Try it out during jams. It works great. Problem is, when you have to switch to clean, you have to stomp on both the TS-9 and the TRI-AC. I heard there exist simple switching systems (not rack-type switching systems) that allow for switching between pedals. Anyone has a more in-depth knowledge on this?