i htink there are two ways you can react to maksim's music: either u'll like it, or u'll really hate him for destroying lovely classical music in that way. truth be told, there's nothing exceptionally original about playing classical music to a breakbeat or techno beat. many have probably tried and flopped, so i feel that a lot of him is all about image and visual appeal, that might well fade away in a few years' time when people start to get sick of classical tunes being remixed(or destroyed, depending on how u feel) by a young energetic man. after a while, it'll all start to sound the same.
the beauty of classical music lies in the feelings that the composers were trying to convey at the point in time that they wrote it. i remember my piano teacher telling me the backgrounds behind almost every classical piece i played. the setting, the time and place that the composer was when he wrote it, and why he wrote the piece. immediately it opens up many new windows for creativity and therein lies the beauty of the music to be beheld. when u have that, u won't need to remix a piece of music to feel that u've done something new for it.
maksim is a heavily marketed man, not so much a musician representing his own musical creativity/influences, i feel. if he actually intends to carry on in his career, it's probably a matter of time that he starts to write some original tunes(which might not turn out as appealing as his classical remixes). or if his managers don't want that, probably they'll make him to be just another hit and run(ok, maybe hit and walk) like vanessa mae.
fingers flying around all over the keyboard is nothing new. jazz musicians do that, hammond players do that with their hands AND legs. prog rock players do that too. jordan rudess, kevin moore..(who's the last one? sherinan?) also play with the same, if not greater flair than maksim.
personally, i would prefer our young generation to succeed and continue in that good old strong classical appreciation and grounding, as well as respect for it. maksim can be novelty that comes along once in a while, but definitely not a revolution, or we'll have all the composers from bach to beethoven turning in their graves!
(heh.. don't mind the long essay :wink: )