Gear News 2004

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good news for south paws- this Summer NAMM sees the debut of lefty versions of popular Ibanez models, 3 of which are shown here:

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new @ Davis is this mini stack by Marshall off its MG series. specifically, it's the Marshall MG15MSII Micro Stack. i tried one out yesterday & BOUGHT it... 8O

many would dismiss it as another entry-level, sub-par MG amp by Marshall that's not quite representative of its other behemoth siblings- not this one. if you have second thoughts about the MG combo, it's understood but this stack performs better, atrributable to the 'stereo' effect of the 2X10" cabs.

be warned that it's not exceptional, it's not a must buy, but warrants praise. full review soon...

list: $375
 
I recall reading in forums bout people transforming their micro stack into a tube amp using kits from well I can't remember the website but one of them is Torres(sp) engerining(sp)

-Beast
 
I always wanted a stack, but they're too big, too expensive and too loud.

I was checking this micro stack out, the price seem ok too.

Look forward to your review sub!
 
more on the MG15MSII:

well i've given my new amp a good grilling & i must say that it's worth every cent. for those of us who are let down by the lacklustre MG15 combo, this stack is a slight departure tone-wise, for the better that is. it's attributable to the speaker cab- these are closed back units, so there's more bass but the drivers are 10" so do not expect a 12"-type of low end response. with that said, cranked up, this little wonder is a drive menace. if that wasn't enough, i hooked up my tube screamer to it & it's gain city...

all my Dimarzios & Duncans sound fine through this one but one can't help hearing the grainy top end typical of entry-level, solid-state units. if you ever decide to invest in this baby, make sure you have an EQ pedal handy to fine tune the treble which can sound harsh at high volumes.

clean, this mini stack has decent tones to offer. i can't help but reiterate the supplement of pedals to enhance the tone of this amp, mind you it's not a boutique tube unit. so the clean channel benefits from my Ibanez chorus pedal + EQ. my Telecaster's neck single coil (Duncan Hot Rythm) sounds the best through the clean setting. yummy...

it would be better if:
*the 'Contour' control is done away with entirely & replaced by a proper Mid control. some of us don't benefit from scooping our tones, we need real midrange...

*there's a parallel connection facility, instead of the CD in . the CD Line in should be another feature to be done away with because there's hardly room on the head's top to accomodate a CD player. at such a height, you'll need a long connection cable to rest your CD player on the floor, this looks unsightly & impractical.

Bottom line:
if you already own an MG combo, you'd be hard pressed to switch to this stack, it's an understandable dilemma since the tone on offer here is arguably a notch up (those closed back cabs make all the diff). if you already own a good practice amp, this stack package is hype, you can give this amp a miss & you won't miss anything severely.

as for me. i'm thrilled to have come across a good amp at a bargain price- too good to pass... it's also an aural experience to seperate the cabs & place them at opposite ends of my room- a stereo experience indeed. try it before parting with your prescious $$$. 8)
 
oh please... i'm just another over-indulgent hobbyist, just love to share, that's all...

based on word of mouth, the MG15MSII gets lots of enquieries @ Davis. they've got about 30 units in store & have sold quite a few... 8)

Lifehouse: try b4 buying... it's a hit/ miss kinda thing. i wish that Marshall would employ this standard of workmanship & tone offering on all its entry-level combo, especially their solid-state units which sound lacking in many aspects.
 
The following commemorative 50th Anniversary strats are new @ Swee Lee:

American Series (List: $2,100)
American Deluxe (List 2,600)

I’ve tested both these guitars out- thumbs up! :D

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The Am Series strat is a very sensible offering, I’m attracted to it more after hearing its tone in action. The pickups on offer here are the Custom Shop Vintage 1954 s/c which sounds very intimidating driven & immaculate clean. It’s a departure from the default Am Series units, which I suspect, has some midrange trimmed off, hence a little nasal in certain combo. If your life depends on clean tones, this strat won’t let you down as I’ve found out after plugging it into a Fender Twin amp- crisp, crystal clear clean tones. IMO, Fender’s clean tones at its best. As I’m a drive enthusiast, I was obliged to check these pickups out at high gain & they deliver loads! Humbucking guitars would be shamed by the mid + bridge combo, which can pull off metals riffs easily. The neck & bridge pickups on their own are darlings for single note clarity. Even at the upper frets, the neck unit didn’t mud-out.

Feel-wise, this commemorative strat was a breeze to play. The neck is slimmed down a tad to faithfully recreate the ‘50s profile & it’s shred friendly, with sufficient chunk to please the avid benders among us. Every other detail is in accordance to the modern spec of the Am Series offering, less the pickguard. This is where I think Fender missed the point & dished out a mark of confusion- it’s single ply. Yes, you’d say it’s commemorating the ‘50s strat which sports such a pickuguard back then, but the hardware on this guitar are modern attributes. In any case it misplaced its true manifestation of itself- vintage/ modern? Identity crisis aside, this strat gets my nod of approval, the best modern strat I’ve tried thusfar.

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Moving on to the Deluxe, it’s not a cosmetic superior of the Am Series in any way despite the gold hardware & abalone dot inlays suggesting just that. This strat is alder (Am Series = Ash), tuners are locking, pickups are the Noiseless models & it sports the much anticipated S-1 switching system. With this in mind, it’s no susprise that the palette of tones on offer here differ form the Am Series model. Some of us would revere the Noiseless pickups, they sound clear & dynamic as the afore-mentioned Custom Shop 1954s, but less intimidating in the treble spectrum. Putting the S-1 switch into action, it beefed up the single coil tones per se & offer a series connection for certain selections (eg: mid + neck), hence making the strat a humbucker intimidator to say the least.

The neck profile of the Deluxe also differs from the Am Series, it’s slightly beefier & rounder, a very comfy overall feel. The alder body also makes the Deluxe less hefty.

Conclusion
I like both these strats, they reward the reserved & more outgoing players simultaneously with the features on offer. At the end of the day, the individual will decide whether they’d invest $500 more on the Deluxe version as it all boils down to taste, needs & preference.

A little caution on the S-1 switching system: Upon activation, it gives a volume boost but at this level, it sounds as loud as the Am Series which is devoid of the system. If there’s a wiring anomaly with the model I tried, then I sincerely hope it’s a unique case. All in all, two fantastic offers from Fender, commemorating perhaps the most fantastic electric guitar ever made. I’m still a little sore about the finish- these are only available in sunburst… but will get one anyway. Also, the package comes with the book ‘The Stratocaster Chronicles’. 8)

PS: For those who have tried/ bought these investment pieces, please offer some comments. Thanks!
 
Hey i thought these guitars were snatched up some months ago and i was told no more are coming in.

You got my adrenalin pumping subversion. Which swee lee has them?
 
the initial few (5 i think) were snapped up. more arrived just a week ago. both the Sims Drive MFO & Bras Basah showroom has these in stock.
 
Overshadowed by the launch of the 50th Anniversary Strats, this shipment of Fender at Swee Lee sees 3 models from the Special Edition series (Korea):

*TC-90 Thinline
*Blackout Telecaster
*Custom Showmaster HH

I’ve given all 3 models an extensive audition…

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The TC-90 is the quirkiest amongst the trio but has enough credibility to make it a good sounding, good playing guitar. It looks like a mutant Gibson SG fitted with a Tele neck which sounded nothing like a Tele at all. As the model’s numerical suffix denotes, it’s equipped with a pair of P-90 pickups, courtesy of Seymour Duncan (SP-90 Vintage-neck + SP-90 Custom-bridge) so the tonal quality of this strange beast is assured. I’ve no complains about the thick single coil thunk oozing from this thing but it’s a little tamed in the treble spectrum, predictably from its semi-hollow body. No complains either with regards to fit & finish. An overall good playing guitar, do give it a try.

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Next up are the Blackout tele & Custom showmaster HH strat, both equipped with Seymour Duncan pickups- ’59 (neck) & Pearly Gates Plus (bridge). The latter humbucker receives my thumbs up in both guitars, they exude warm midrange, with lots of single note definition but enough bottom end for metal-type chugging. The ’59 however, turns to mush at the upper frets & high volume settings. This humbucker receives accolades for its spectacular performance in other guitars but it has its reservations here. I’m let down by the tone, ‘nuff said. We should all take the cue from Slash & leave the ’59 in the bridge, where it shines.

Coming to the built & feel of these guitars, well, they don’t quite represent the Fender brand name in that there’s no warm resonance from the basswood bodies when picked unplugged. These models would have benefitted greatly from a more hefty body wood. In fact, they are so lightweight, they would be picked up as easily as the aforementioned TC-90 model, really, no kidding. Neck-wise, the set neck fit contributes to reputable sustain but if you aren’t a fan of a finished neck, be warned (think Gibson)-, they get sticky as you play & it’s a put off. Well at least for me… The black out finish is devoid of fretboard markers as well, needs getting used to but bear with the fumblings when starting out. The overall finish is fantastic, no tell-tale errant paint blobs or sharp fret edges to disrepute the Korean origin. Even the machine heads are smooth & functional.

Let us then consider the asking price of these guitars which is more than $1K. Excluding the revered Duncans which cost about $130 each, you are then paying for about $900 worth of Korean craftsmanship. Which part of the construction justifies this rather costly bill? If you ask me, well it’s not worth it but it’s not a pricing anomaly by the dealer, it’s USD599 off the shelf elsewhere. This brings me to the Ibanez SZ model which has a set neck construction but goes for at least $300 less. If you are a cost conscious person, this might be a hint of unjustified cost- maybe we are paying for the brand name more than anything else? Hmm…
 
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There has always been a Squier Strat SSH all along so what’s the fanfare with this one? Well, this model represents the new, post-Y2K Squier that were revamped to make them a better playing range of instruments for the entry-level market. The Affinity series of Squiers did not quite make the intended target but the Standard series of strats (which this model is from) surpassed the pre-Y2K predecessors in terms of feel & tone.

Having plugged this one in immediately after it’s unpacked (for showroom display), I was impressed by the overall built quality. The action was very player friendly but the treble side was raised a tad too high for comfort. That aside, this strat plays very well with no eveident fret buzz, driven or clean. Now to tone…

Tone, my friends, is the strength of this rather reserved looking strat. The humbucker in the bridge has plenty of clarity & a healthy dose of midrange. It was a joy to hear its performance in the upper & lower registers of the neck. The single coils on the other hand, has plenty of quack (activated in combo) & twang, you won’t be disappointed. The only dissent I had with this very impressive unit is the output of those default pickups- the single coils are much softer than the humbucker volume-wise. There was a very evident drop in volume while switching pickups during play. I’ve had no opportunity to raise the single coils to hear if this might just be the cure for this anomaly, hopefully it’s just that.

SATIN finish- yup the model I auditioned has the Pewter finish in satin, lacquerless affair this one. I enjoyed this finish tremendously (matching headstock to boot). I love how the body’s tone manifests itself through the pickup, enough warmth to rival a worn, lacquered unit (think the stripped SRV/ Gallagher strat). I had my good encounters with the Fender Highway1 series of instruments which feature similar, lacquerless body finishing so I guess the tone speaks for itself. It won’t win fans of sweaty palms or those of us who twitch uncomfortably upon seeing handprints on their guitar bodies though, be warned. The neck is a very comfy C-profile with enough trimmings for you to be Malmsteen-like.

I guess Squier has seriously up the stakes on the entry level offerings for the budget conscious among us & they deserve the accolades. This one’s a very well-playing instrument & a worthy sub-$500 investment. I’d be trying the H-H version soon, hopefully things would be as rosy as this encounter…

Worthy rival: Yamaha Pacifica112
 
the Squier take- part2...

i'm just back from trying out the previously mentioned Squier HH... it seems that the later bacth of Squiers from Indonesia feels & sounds better, an example being the SSH strat in question. the HH strat i tried today was from China & it didn't feature the matte finish.

in addition to that shortcoming (to me), the humbuckers in this strat were bland. i messed with the amp's EQ a fair bit but i just couldn't dial in a good tone, clean or otherwise. the overall mass of the strat was also much lighter than the satin finished version & that accounted for the tone diff... of course, this doesn't confine the HH strat to the trash bin, it's still a very good playing entry-level unit, just that its Indonesian cousin fared better.
 
i think its the indonesian wood...yeah..[my country's..so gotta b patriotic..=X]

hehe..anyway.. i still think the older squier strats are better...tried a few of my friend's..those which are made in japan...passed on to them frm their dads...

the yamaha pac 112's not bad, i like my 112m's resonance, and she's been with me through loads of hell...yupz... and the SH-11's output is nice on this girl too..yeah...

any opinions abt maton electric?
 
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