Your opinion on Yamaha guitars

Vax

New member
When I think Yamaha, I am reminded of musicians like Frank Gambale, Ty Tabor, Steve Mazur (of Our Lady Peace), Mike Stern and Sheldon Reynolds. Great musicians with great tone, and I was inspired to get a couple of Yamaha guitars because of them.

Having used them for many years, these instruments have developed a character of their own which distinguishes them from your "normal" guitars. They feel great, no problems with frets, neck sets up well, have good balance, and sound decent. I don't get why people get so perplexed at my choice of guitar. It's almost as if playing a Yamaha pulls my guitar rep points down as it were.

Is this a common sentiment amongst fellow guitarists? What do you think about Yamaha?

No flaming/trolling intended, just want to seek an honest opinion.
 
i used to have a Yamaha F310 , in terms of sound and playability it is good,but there seem to be flaws in the appearance. I don't know its handcrafted or factory bulk making. I would say sound wise : 8/10 , appearance wise : 6.8/10.
 
yamaha guitars are great. they have a whole lot of different guitars for different needs. the price does not really rip a hole out of your pocket and is worth every dollar spent. i have a pacifica 402 and 2 rgx series.
 
It's really encouraging to hear from you guys and your Yamahas! I have a RGX820 (inspired by Ty Tabor) and an AES820 (inspired by Steve Mazur). Here's a really cool ad I stumbled upon:

STEVEMAZUROURLADYPEACE.jpg


i used to have a Yamaha F310 , in terms of sound and playability it is good,but there seem to be flaws in the appearance. I don't know its handcrafted or factory bulk making. I would say sound wise : 8/10 , appearance wise : 6.8/10.

Was it the sunburst model? I know they had issues with maintaining the appearance of their photoflame/burst, over the years it was bound to be slightly runny. My friend's sweat dissolved the photoflame of his RGX!

yamaha guitars are great. they have a whole lot of different guitars for different needs. the price does not really rip a hole out of your pocket and is worth every dollar spent. i have a pacifica 402 and 2 rgx series.

Hear, hear!! Which RGX's do you have? I was tempted to get the one with the Floyd Rose trem and the rear pickup direct switch, which I think bypasses the tone circuit and puts the bridge pickup on full tilt.

Yamaha did away with their excellent Pacificas reducing them to a fundamental offering now- wish they were back.

I missed those high-end Pacificas! Even though they were considered high-end, the price was very modest for the specs offered. There was a PAC912J in the Yamaha Plaza Sing branch that was an absolute dream to play. Wish I could find out where it went to...
 
I have a yamaha aes620. even though i did a number of mods on it. essentially it was a killer piece of guitar to begin with.
i haved played/owned pacificas, rgz/rgx,and they never fail yo innovate and impress me..

like the rockin pro trem on the yg1212 was a good example of innovation..
 
..and for drool-worthy measure, the Pacifica 611:


They don't bring this in Singapore!
 
The vintage Yamaha LP, SL and SA models are complete masterpieces in their own right. The SG line is also quite impressive as well as the Mike Stern signature. The Pacifica line has never really done it for me, sad to say.
 
Yamaha guitars my general impressions

The good:
Generally decent to great sounding
usually well made with litlle issues
reasonably priced
excellent work horse guitars

The bad:
proprietory guitar parts
lacks the x or wow factor

By the way 611 is now available at yamaha ps at around 900+ current sale price,
usually goes for around $1200
 
well i think when someone mention yamaha, the first artist that comes to mind now is carlos santana and his sg. managed to try a 1996 sbg1996, only 120 are made. the craftsmanship is top class, and the ageing is perfect... well, thats my favourite yamaha. the pacifica dont connect with me... but for the price, its quite ok. and there is the other line which i forgot about the series, the modern looking one... with stylish design, that sounded good...
 
My opinion? Their Pacificas are excellent value for money beginner guitars, especially the 112Js. I'd recommend them over any Squier, Swing or Timber (insert brand) here anytime. Excellent, consistent quality control and playability is what sets them apart from the pack.

Somewhat is this thread mentioned about their lack of a 'wow' factor. While I feel that is subjective I feel that it definitely applies to me. Why splurge 2-3k for a SG (at yamaha's current pricing) when I can get a nice MIA Fender, Gibson or Suhr at the same price. In that regard, I feel that is what Yamaha is lacking for their high-end electric guitars. While I have no doubts about Yamaha's quality I wouldn't be inclined to pay that much for a 'high-end' Yamaha. Hell, I even know a Yamaha spokesperson who owns mostly Ibanez RGs!

Their acoustic guitars are a different story though- I've owned about 4 Yamaha acoustics at one point, including their much-famed handmade L series, and I have a 10 year old FG478 that I haven't touched in eons that played well after giving it a through wipedown. The neck didn't even warp, which was amazing. That being said, I'd advise those buying a non-MIJ Yamaha to be wary of the neck angle/tilt, as many of their MIC guitars seem to have this inherent problem- shallow neck angles either with low saddles or bordering on the verge of needing a reset. Otherwise, if you get a good one I think they can get you alot of tone for not too much $$$.

Btw, these are the Yamahas I've owned (or used to own):

FG478 (donno if i got the number right)
APX700NT
CPX900NT
CPX900MB
LJX6CA
RGX220DZ
 
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Excellent tips Ized! It's been a while since I went to a Yamaha shop, will probably have to do so (even more so since the PAC611 is in hehe) And the YG1212 is an amazing guitar too, how old is that? It's the era of the blockey Yamaha logo right?
 
My first and only electric (8 years now) is a yamaha pacific 412 MII. It's an alder body, translucent red ash top and satin maple neck and was from a batch that was manufactured in taiwan. there were pretty decent japan models prior to this but so far i've only managed to try randolf's whammy version and beez's non-whammy version.

I've gotten pretty used to it's neck profile, not as chunky as standard fender strats and not as thin as ibanez's RGs. I've tried many other guitars throughout the years, apart from a couple of suhrs and ibanezs, I haven't come across many that felt better than it. I brought it to malcolm for a setup and it played better than the numerous friends' fenders i've tried. maybe it has something to do with my personal taste. I've had ibanez players saying they can't get used to my pacifica's neck, while i've also had got ibanez, fender and gibson players commenting on the playability and the shiokness of playing it.

That said, I've did major modifications to the guitar. warning: **content might be boring to non-geeks**

1) all electronic components inside were replaced with dimarzios. incl two push pull pots.
2) pickups, HSS : Air Zone, Virtual Vintage 54 Pro, Air Norton S. extremely silent even on high gain. most probably be due to beez's superb worksmanship with soldering and using pup wire rubber for shielding stray cables between pots.
3) volume pp switches Air Norton S to parallel wiring for single coil sound in neck, tone pp turns on bridge pup in all positions
4) changed the bridge unit to a brass block unit from guitar fetish as it was the only mexican spacing trem unit i can find (http://www.guitarfetish.com/105mm-Chrome-Spaced-Import-Made-in-Mexico-BRASS-BLOCK_p_1158.html)
5) saddles changed to graphtech
6) string trees replaced with two graphtechs
7) replaced stock tuners with locking wilkinsons, which were relatively affordable, from SV guitars.

that's estimated to be $500. not many would spend that kinda money on a $600 guitar, but i'm not having any regrets now cause I'm more than happy with it. I may be biased, but imo, it is out-performing guitars costing more than it. If i had to get another guitar, the main reason would be because I want a 7-string or a whammy. I'm saving up for more gear now, but i'm rather content with my pacifica. focusing on getting an axe fx II or some uniaxial stage monitors instead of a $3k to $5k suhr.

as for "It's almost as if playing a Yamaha pulls my guitar rep points down as it were." well, doesn't bother me because I know that the real reason people want me off the stage is most probably due to my playing standards not meeting their expectations. I don't think walking on stage with a yamaha will make people go, "go home la, yamaha player". so i'm cool with it :)
 
Excellent tips Ized! It's been a while since I went to a Yamaha shop, will probably have to do so (even more so since the PAC611 is in hehe) And the YG1212 is an amazing guitar too, how old is that? It's the era of the blockey Yamaha logo right?

this thing is 20 years old but i got it in NOS condition 2 years ago and played the hack out of it. i shaved the neck down a bit as i disliked the shoulders and got it refinished. i also rolled/shaved the fretboard edges to make it more hand friendly because the hard edges didn't feel good at all (thumb fret, chording, bending etc.).
 
frm their guitars rite down to the motorcycles..
and here is my recent acquisition, a naked 1300cc.. ahah

6590855455_621f89bfd7_b.jpg
 
My first guitar was a Yamaha CG-40 classical and most of my guitars are Yamaha. I just love them, excellent build quality and bang for the buck.

Some in my collection:
SL500, SR400, SG1000, SA2000, PAC112J, LL16 (Acoustic)

The PAC112J really blows me away completely. I got it for pretty cheap used.
After cleaning it up properly and changed the saddles to Graptech String Savers, it turned up to be one of my favorite strat.
Stock pickups are better than Mexican Fender IMO, plus the Humbucker at the bridge gives it an extra edge.
 
Famous Guitarist like Phil X and Jack Thammarat uses Yamaha and are Yamaha Endorsee

They make Yamaha sound incredible. But then again... Yamaha Guitars are over-rated in Price...
 
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