Randolf Arriola (embryo) Guitar Gear 101

Thanks, Mr Randolf.

Normally, I would use a roland amp(JC-120/160 i think) normally provided when I got a event. I'll set my amp's EQ at 5 for bass, treble and mids. Then I'll use my GE7 in a V-position to shape my sound.

Do you have any suggestion as to how I can use my EQ as well as set the amp? Hope the info helps.
 
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Junior,
So u set 5 for bass, treble and mids as in "12 o clock" I suppose on a JC120 amp Hmmm.... :) The presence button is off?
I'm not sure what pickups ur using but with ur strat that's a very dark and boomy sound imho more suited for the jazz player type setting.

Setting GE7 at a V position will make the amp even more darker on the low end and more hiss noise in the upper treble register of the amp's output tone. Hmmm...
Ok my question is;
1. do you leave it on all the time to shape the amp's tone?
2. Another question is how high are the extreme ends of the "v" on the ge7? are they above the center notch?
 
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hmmm!!! ok........ I know what i want now. But is it advisable to buy with electronics built in? My hi-fi doesnt come with aux input though. only cd, cassette & MD. maybe it will work if i plugged into the MD Analog input. But thats out of the point of getting an acoustic with electronics la.


Easier and less hassle if the guitar is already fitted with the electronics. Yes u can plug the guitar's output jack into an RCA converter jack and plug that into ur MD or AUX input to get a full range sound out of your hi fi. Do switch off any "special efx" boost function on your hi fi otherwise ur rovelee acoustic guitar will sound like a death metal setup....hmmmmm hey why not!? :)
 
Question of the day;

"Dear Mr. Randolf, I'm intending to upgrade to a better guitar. My current one is an EJ Strat. I'm stuck in deciding which Strat is the best. What's you opinion about Tom Anderson, Suhr and Tyler guitars compared to Fender Stratocasters"

Ans: Hmmmm Hmmmm Hmmm.... Ok for starters next time in future pls pls drop the "Mister" hor. Just Randolf can oredi or like some of the ones here familiar and trying to be familiar they call "Dude, dude!" whatever but not Mister, Sir, or worse Unker! Ok? Pls? :)

Ok, I love all the above mentioned guitars. They all play and sound great, even look and smell great too! Hehe :) I Love Tom Anderson's great workmanship and materials used in their range. Suhr guitars are just as lovely and a slight but significant variation and on par with the Andersons in overall quality. Very pretty too of course! The Tylers hold a special place for me as they have imho the best "played in" neck feel. I especially liked the Michael Landau's model. Nevermind the headstock tho. It's cool after a while and besides you're supposed to be watching the fretboard or playing with ur eyes closed for the tone and feel right? so what the e'll u doin staring at the headstock?! Tsk tsk tsk! Heh :)

So are all these other great guitars better than a Fender Strat???! No is my answer and the reason is simply because "Anything better than a Fender Stratocaster is ultimately still not a Fender Strat... even if Fender tries and they've been trying for a long nong time!" :)
 
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Yup, the presence button is normally left off, I'm using vintage us fender pups, dun think its very suitable for rock music which requires chunky rhythm right?

1) Yup, I leave the GE7 on whenever I play to shape the sound after my distortion pedal. Not sure whether it is a good idea.

2) It's normally about +10 at the bass and trebles, then I'll -5 for the mids then shape out the V accordingly. But recently I've followed the recommendations of the Boss website for sharp rhythm.

So I'm wondering if there is anyway to help my sound get more well-balanced. I've read up recently that I should up the mids if I'm playing in a band, but I'm not sure how to do it.. haha. Just started electric aft playing mostly acoustic ard mid-last yr. So am still trying to adapt to the difference. Sorry for bombarding you with so many question @ a go
 
The Roland JC120 was modelled after the Fender Twin Reverb. What u are doing with the GE7 setting it in a "V" is beliecve it or not trying to turn the amp with it's tone knobs all at 12 o clock into a Twin Reverb which you can achieve with the amp's tone knobs and the presence too for dialling in just the right dose of high end shimmer characteristic of the Twin Reverb. So basically the JC amp gives u the spanking clean character of the Twin without the weight, heat and reliability issues of all things tube.

There are also very effective mods for making the GE7 give u a very convincing "Twin" character if you'r interested. The GE7 can also be used as an effective clean boost, treble boost or mid boost. Needless to say the GE7 is more versatile than most realize. Give it a try and surprise urself. :)
 
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so does that mean that I have been mis-using the GE-7? If say I want to use the GE-7, i have to lower the settings on my amp, so that it won't result in it being a twin reverb sound but can blend thru as a band when i play with my mates
 
Wat I meant is that in the manner that you are using the GE-7 you have forgotten to pay more attention to the amp's tone controls. You seem to be confusing the idea that a Twin Reverb that the JC120 is modelled after is a bad sound. The Twin Reverb is a time proven classic sound that has been used with continued success in performance and heard in many recordings across many musical genres.

What u speak about in "blending" with your band involves more than gear issues such as balancing in tone, volume, timbre and musical arrangement for the respective instruments in a band. That itself involves seperate volumes of discussion and much trial and error before any of these start making sense and hopefully more musical. :) What I have tried to highlight to you here is based on your described setup and the manner that you use them. Let me know if you need further help on this perhaps I'll make an arrangement for a private "Guitar Gear 101" hands on session for you.

I'd encourage u to constantly rethink your approach and keep trying them along the way. Don't give up because with each new found mistake you'll also discover new ways to get a sound. The rest is really about how to consistently know from experience not to dial in the wrong sound for the intended music. :)


so does that mean that I have been mis-using the GE-7? If say I want to use the GE-7, i have to lower the settings on my amp, so that it won't result in it being a twin reverb sound but can blend thru as a band when i play with my mates
 
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Mods for the Boss DS1

Mods for the DS1 generally revive the important missing Bass and Low Mid Range and provide tighter and more dynamic Distortion tones while taming the notorious stock hi end fizzy tone. From Warm Crunch to Super Saturation the Modded DS1 can be used from Traditional Blues to Modern Metal setups. Some players derive alot of their distortion tone from the pedal. Alot of the pros actually use the pedal as a boost to kick their saturating tube amps into screaming distortion. Some even use it effectively as mild overdrive. In short there are many ways around using the DS1

To decide on the right kind of mods to help yourself arrive at a more personalized tone in the most cost effective way it helps to take careful consideration and honesty of of your abilities, experience, needs, budget and musical intentions. Gearwise consider the following carefully;

1. What Guitar and Pickups?
2. What Pedals do you use and the patching order?
3. What kind of amp? Solid State or All Tube?
4. What is your musical Preference?
5. What is the percentage of distortion that you dial in between the pedals and the amp?

Japan/Taiwan Made DS1 and what's the difference?

The Japanese made DS1 came with a different older designed chip which had less gain and headroom and is slightly noisier when compared to the modern Taiwanese made ones. Certain 1st issue Taiwanese (black label) made DS1s had the same chip as the Japanese made DS1. The general hear say opinions about Japanese made pedals being all superior isn't entirely true. Different yes, better?...not necessarily so. Let me explain in simple words. Let's say you want a DS1 Ultra which has a big jack up on the Bass and Low Mids and a higher gain factor and overall volume. The Ultra very effectively makes a small combo amp sound like a 4x12 spkr cab because of the serious low end thump! If that's what u want then I would highly recommend the modern Taiwanese made pedals with the 5223 chip as it has the ability to get all the above mentioned sounding tight and with less noise compared to the older original Japanese ones. Now let's say you want to use the DS1 Ultra/Germanium (one of my own custom designs) with a more subtle use of the Drive but want to max out on the level and use the setting to push a tube amp for a classic Blues/Classic Rock Lead Tone then I would suggest hunting down either a Japanese or Taiwanese 1st issue. Players with very high output pickups often experience a mushed up kinda compressed distortion when using the DS1 with the distortion knob set at maximum. This happens because of the high gain factor of the pedal's distortion circuit design which would work well with low to medium output pups but will have no more headroom if the inputs are slammed with really hot pickup. Solution; Either lower the height of ur super hot rod pups, change to a middle gain pup or simply lower the distortion knobs settings. I've spotted more than a few pics of Vai's DS1 settings where the distortion knob is no more than 1 o clock! But do check out the position of his level out knob! :) All said about mods for the Japanese or Taiwanese DS1s , it's still possible to get a good sound out of the pedals even in stock form.

Boutique Mods for DS1
The Original "See Eye Mod" mod design by Robert Keeley included significant improvements over the stock DS1enhancing the Bass, Lower Mids and addressing the previous Shrilly Hi End of the Stock model. The mod also made major improvements in the clipping stage giving bigger fuller sounding tube like distortion character with LEDs as clipping diodes. Great for the modern rock and classic rock lead player!

The Ultra Mod is basically taking the original "See Eye Mod" and jacking up the gain with additional distortion stage in the clipping circuit and bumping up the all important midrange making the the Ultra DS1 a fierce rival when compared to a stock Metal Zone. great for Modern Metal players who want arena type big Bottoms, rich harmonics and no compromise on gain and tone with loads of sustain! In my observation over the years there are at least 2 versions of the Keeley Mod.The earliest version was the fattest sounding which worked great with humbuckers for the singing lead tone but diminishes the character of a Strat. Some have remarked that they even prefer the Ultra to a modded Metal Zone. Oh well...to each his own as they say. :)

Custom Mods for DS1
There are many versions of Mods for the DS1. Basically they are variations of the tried and tested mods as mentioned above with varying degrees of Distortion, type of Saturation, and Tone balance. When coupled with toggle switch options for selecting either gain or tone, the Custom DS1 becomes both a powerful and versatile Boost/Crunch/Distortion pedal that rivals some of the best boutique models (which are also variations of the DS1 anyway). The custom mod for the DS1 that I continually use and offer to those interested is my own twin toggle switcheroo "Switchblade".

That's it for now, more along the way about DS1 Mods and how to use it effectively and musically with your fav guitar, your other pedals and last but never the least the amps! In the meantime take a 2nd look at that orange distortion pedal and tweak the knobs in ways u never tot of before and surprise urself. Have fun!:)
 
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with the GK3 pickup, does it matter what guitar I use? Since the guitar/amp modeller will finally transform the sound?
mmm
 
Ah, that's a good one! It's not supposed to but by the laws of physics there is.... not a big glaring difference but there is. It seems to me that you get a closer replication of the Strat models on a cheap mexican strat than on a LesPaul. The flipside is yup u guess it, u get a better replica of a fine Les Paul with a cheap Les Paul type guitar. Al Di Meola himself experienced it and said so. At the moment modelling technology is pretty impressive but still cannot totally overtake and replace real instruments.

What's more exciting for me though is that after the novelty of using modelling technology to replicate all the instruments and amps has run it's course I predict that we will enter a new era of guitar technology where modelling science combined with creativity will unveil the new sound from guitars that were never deemed possible or thought of in the past. The VG8 technology which first came out in the early 90's already allowed the user to virtually design ur own guitar and pickups. That possibility was and still is breathtaking!

It's gonna be exciting! :)
 
hey Randolf, you might wanna look at stocking up one more Tyler in this short time. James Tyler is no longer taking new dealer orders and is quiting the business and moving on with life.

will post his official reply in another thread.
 
hey bro , im kinda sick of the distortion from my amp.
and i wanna get some pedals to make the sound go even more towards Metal .
make the sound wanna make ur heads go wild . those real heavy sounds.
y'know , high gain and stuffs. but im not really sure wad pedals to get .
was lookin at metalzone MT-2 . quite cool .
but jus wanna get some advice first.
 
hey Randolf, you might wanna look at stocking up one more Tyler in this short time. James Tyler is no longer taking new dealer orders and is quiting the business and moving on with life.

will post his official reply in another thread.

Really!!!??? Awwwww man! That's tragic news for me man!
I remember visiting his actual workshop back in '98 and he's such a softspoken chap and really a man of few words but has that certain aura abt him that makes u feel comfortable around him. He's one of those chaps you want to help him in almost any way. I was trying out his prototype Dan Huff and Michael Landau fell in love with both of them but just never got round to getting them. What a loss! :(
 
=JaarVis

Jaarvis, i'm gonna need more info abt your complete guitar, pedals and amp setup to be able to consider the best options for you. If you want to go crazy the question is do you want to go all out crazy with your band or do u want to go crazee within your practice room or with headphones? There are ideal solutions for the above stated scenarios. Email me at randolf@embryosongs.com if u prefer. Let me know. :)
 
Hi Randolf, wanna thank you for the quotes you have given me earlier on custom wiring work. No time to execute all other related work yet...

By the way, is it possible for you to add a footswitch input to my Ibanez Valbee amp so I can switch on the drive/boost channel with a footswitch without bending over everytime to press the button? Is it possible on the amp in the first place? Thanks!
 
No hurry. :)

Yes it's possible to create an external remote switch for the amp if there's already a switch on the amp itself. I'll need to see the amp to determine the right kind of switching circuit. Email me randolf@embryosongs.com for further enquiries :)
 
hello randolf!! just got a question for you, but i dont know if it's been asked already soo here goes.

I'm using a Vox tonelab LE and a peavy studio pro 112 amp, alls well and fine but thing is should i plug the tonelab direct into the amp via the main input or go through the effects loop of the amp?

thanks!!
 
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