the pod sounds like shit. thats what i'm not saying...
i do not doupt the pod's potential to sound like any artist on earth... what i'm saying is that since multi efx are such complex units, there are some things the boss flagship multi efx has which the pod doesn't and vice versa...
we're comparing at a shoot out lvl where people are mroe interested to know which lacks what compared to the other... we're like comparing synth keybords eg roland's juno G and korg's TR...
similar products, similar prices, almost similar capabilities but some features make people prefer 1 over the other...
i agree it is subjective when it comes to terms like "better" or "worse" but some things are facts... maybe if we share about them, we'll help each other know what the other product is capable of...
after all, i'm sure none of us endorse boss nor line6, so there's no reason to get over protective of one product over the other... i'm just worried that some things become over-hyped which would mislead a lot of people...
i have more experiences with boss gt8 cuz i've used a few units before,
for one, i know that some gt-8 modulation efx are responsive to a player's picking dynamics (eg, the harder the picking, the more the modulation kicks in). its due to this circuit:
http://www.bosscorp.co.jp/products/en/GT-8/details.html
and its a bonus. does the pod have this feature?
for another, there's no computer interface for the gt8 for which u can import/export patches or do usb recording etc, which i understand the pod has, so, that's a bonus for pods
thrid, i've mentioned earlier, the gt8 allows u to sequence all ur efx how u want them to be. eg: od before comp, or comp before od... but i doupt it allows u to use the same efx twice, eg: eq,comp,eq,od,eq,amp... a bonus and a limitation. what's the pod's variation of this feature?
fourth, the gt8 has quite a few crappy od and dist tones but there're some good non-digital sounding ones too. i couldn't seem to tweak it to sound like my modded-mt2 into modded ds-1 for the time i was using it but i guess there must be a setting which would come close. how about the pod? judging by how i can cover almost every artist's tone, i'm guessing that it would have no problem emulating a keeley ds-1 or a monte allum trigain ds-1/mt2?
as a musician and a consumer, i'm just interested to get what duits me best, and more knowledge abou all products would make me buy more logically... the way the x3 is hyped up on the line6 site can't be trusted... so no gas for me yet until i know what its about...
making some clips may help but i'm sure every1 is more interested in producing a wider array of sounds from a $800 to $1k unit than "some clips"