Go with a AKG 451 if your trying to pick up the sizzle of your cymbals. 414 if you going for the entire drum kit as a whole, usually for jazz setup. Too much money, M149.
My honest opinion? Actually any mic will do... seriously. I have worked with the above mention mics and others but there were occasions where a cheaper mic worked better than a more expensive mic. There was once i recorded using a SM57 as an overhead 8O yeah crazy but it worked for that session. Placement for the mic will the biggest difference in the final sound. There is no rite or wrong position. There are times where placing the mic in perspective with the drummer sound better, there are other where xy works better.... It depends on the tuning of the drums, the drummer style, the music, the mood, the actually sound of the drums, the sound u are trying to achieve as a engineer, etc. Its a long chase for that "rite" sound. Pick up a pair of cans and solo the mic while drummer plays and find that "spot" for your sound. Pull that into ur mix and see if works. Cheers!