wow very insightful posts there,
i have to agree with most of you, Ken, Alvin, 3notes, the bass scene in singapore lacks recognition and respect in many ways.
personal experiences: while writing an original for a class, a guitarist told me to play ROOT notes and said me playing off the 4/4 crotchet rhythm would eat into the vocalist's line. the original was in a "pop/softrock" genre base, and i had many ideas to contribute.
there was no drummer. i.e. he wanted a driving bassline like a malmsteen/punkrock bassist kinda thing, playing the same note on and on, while he shredded away.
he got REALLY peeved when i started playing the thirds and others to connect the chords. HE wanted to connect the chords by sustaining his shrill off-pitch note. he even thought that in a Dm Cm Dm Cm progression, holding the Dm chord would suffice throughout the Cm chord (while everyone else was playing Cm he'd just sustain his Dm). Any musician would know this is not part of Pop music songwriting.
another experience: a bassist i know refuses to play jazz. yet, he listens to US pop music of the 70s, which incorporate walking and jazz chords, such as the jackson 5. Is jazz THAT hated? it may be boring to a few, but we should all remember: THERE IS ALWAYS SOMETHING TO LEARN.
and yes, many of those that i have taught do not look at the bass as an instrument that can harmonize with the others, or play melody lines. they look at the bass as "the easiest instrument to play and look cool and be accepted in the band that my friends wanna form". (i hear lots of you going EUGH and wtf*) but it's true. listen to some J-rock! listen to some progressive music of the 90s! listen to some fusion jazz! turn off the damned radio (u can't hear bass on radio, it sounds more like a 3rd guitarist playing his lowest string!) and go to the CD store!