SOFT : haha sorry to hijack james, but I'll take this one especially. it's in my ballgame.
DoubleBlade : hi there, 1stly, i too, record live drumtracks all the time at different locations bedrooms/jamstudios etc.
kindly refer to
http://tinyurl.com/diyrecording
what I will advise is, if your mixer is analog, what you're going to just get is drums.wav. e.g
OH/OH(overhead)/snare/kick/tom/tom/tom = 7 drum mics > mixer? > ? > DAW(Cubase) > Drums.wav
whereas if you use a multitrack interface like Zoom R16 (i'm using this.)
7drummics > Zoom R16 > USB > PC/Laptop > DAW (Cubase) > LOH.wav/ROH.wav/SNR.wav/KK.wav/LTom.wav/RTom.wav/FTom.wav
now you have that drumset "dissected" in 7 components.
however depending where you're recording at, you may not have the proper luxury of having a "Room" mic. unless the drumroom is properly treated. I personally close mic like how james has said for all drumshells (snr/kick/tom) then the tricky part would be the miking for hihat/ride/crash because I only have 8 inputs, I use 2 Overhead mics with my own technique to pickup both hihat/crash+ride/crash evenly in a way that I can work with during mixing process. should you require more, you can buy 2 R16 (Max) and set one master/slave then record 16 tracks at once. or your own preference of audio interface which supports ADAT up to a total of 16 inputs.
lastly as I was saying the "7 containers".wav will depend on what mic you use and how you miked up and how well your drum was tuned. that's all microphone technique from there.
e.g if a snare resonance is too high, listen to the sound in person if it is really ringy, tune it or put a little o ring or tape ductape. if it's not ringy but the test recording is, then adjust your mic to aim more towards the middle of the snare away from the rim.
also depending on the mic you're using, some have a higher rate of natural "Noise Gate" (meaning picking up "Bleeds" from the other parts of the drums, like the snare mic will be really close to the hihat , but because of the type of mic you're using it picks up little instead)
in general by now you would have known that dynamic mics pick up lesser "surrounding" noise and high frequency (like cymbals) , and condenser mics pickup more highs.
this should cover most of your queries. gd luck!
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