First things first - I don't take kindly to personal attacks.
Thanks for the replies
But pianomankris, pf, cheez, and angel, IMO you are generalising the situation here. I and many teachers might not have teaching diplomas yet. But could it guarantee you that someone with one can really teach?
Go get Associate, Licentiate, and Fellowship diplomas in both teaching and performance,
then you can comment on whether or not you think a 'grade 8' tutor (a teacher is different from a tutor, btw) is adequately qualified to teach. If you don't have these, then it is most probably because of a lack of ability on your behalf.
You wrote 'I and many teachers might not have teaching diplomas yet' - in my opinion, you shouldn't be allowed to give lessons. I wish there was a law against this. You're doing more damage than good - even though you think you are helping out. Trust me - you'll look back on this day in maybe 10 years or so and think to yourself 'God, I really didn't have a clue what I was talking about'. Unfortunately the way you will most probably likey do this is by looking at how badly you taught/are tutoring your students in the early years of your tutoring career. Your experience of 'good teaching' will most likely come from completely destroying piano tuition for many kids as you continue to practise being a 'teacher' of piano. Your defense may be 'but I inspire my student' - a good, qualified teacher will do this anyway.
My friend can play a good few chords/songs on the guitar, and has his grade 8. Does this mean he is of an adequate level to teach? And if not, what makes you any different?
I don't wish to go to details. I just wanna let all know that not all what you called as 'grade-8-piano-teacher' are like that, and vice versa, not all conservatory graduate or one who specialise in piano teaching can suit his teachings to all learners. In fact some times it's just a matter of taste and chemistry.
No no - by all means - go into detail. I'm interested to see how far the depth of your research has went here.
BTW I do agree that not all conservatoire graduates make good teachers, but you don't really have the right to say this, since you haven't went through a conservatoire education yourself, so you don't know what you may or may not have learned within said education system, and if you did have a conservatoire education, you would know far more about teaching approaches and technical issues than you would as you do now, as a grade 8 tutor. For a start, for most conservatoires, you have to be at least grade 8 to even get a foot in the door. And that's just to begin your musical education.
I don't dispute that you may be able to tutor someone up to a point, but when it comes to issues of interpretation etc (e.g. Schenkerian analysis etc), I think you'll be completely lost, and when it comes to issues of technique, you'll also be completely lost, since, Like I said, you won't even have covered it, being a 'grade 8' tutor, as absolutely nothing of this sort is covered in grade 8. For example, could you show someone how to play a note properly? I mean a single note?
Then can I say that other jobs also like that? Shouldnt you say "teaching piano (and ideally all other jobs) isn't JUST about making money"? IMO teaching piano and playing piano / being a musician can earn someone a living that's to say that it's a type of job. Even composers and great musicians were reportedly having a bunch of students (read- were teachers).
Once again, you're assuming i'm talking here out of ignorance, and generalising. I'd say no - it isn't about money at all. I thought I made that obvious in my reply. I thought I also made it obvious that yes, playing piano can make money. But that making money isn't the reason for sacrificing up to a third of each day (or more) practising. Unlike the 'normal' job, where time put in = money earned (8 hours at work = 8 hours' wages, unlike the pianist who sacrifices literally hundreds of unpaid hours in order to gain one or two paid hours. But my point is gaining a 'few paid hours' isn't the reason for playing. If it is, you're doing it for the wrong reasons).
I have made money from music, so I wouldn't be as silly as to say 'music can't make money'. An obvious example is Haydn/Esterhazy. Haydn would have been poor if it wasn't for that family, and his music wouldn't have been known/published. Like I said, i'm well aware of the apparent 'necessity' of the musician to make a living. Do you know how Bach's music came to be known?
And yes, of course many famous pianists were also famous teachers. I've mentioned a few in some other threads. Who do you particularly consider to be/have been great teacher/performers, and why?
I give up my time here to help people who want to learn, and I like to provide what may be a different viewpoint, since i'm not Singaporean (and I only really post in the 'how to' section, since that's what I know. Others here e.g. Cheez know far more than me when it comes to music technology etc. I read their posts, and learn from them), not to argue with arrogant young grade 8'ers who think they know how to teach because they have shown 'little Molly' two doors down how to bash out a few songs at the piano.
If you have an opinion about something that you feel justifies attacking my opinion personally, back it up with fact.
Maybe i'm in a bad mood. If so, Cheez, I apologise. Anyway I won't be posting for about a week, as i'm off to... Singapore!!

lol