Laney amps might be good contenders. The VC series is a Class A amp which leans towards classic British tones i.e. Vox chime, while the LC series is a Class A/B amp and definitely more Fenderish in quality.
While the LC15R is a cute little practice amp, it's 10" speaker really doesn't have much push and if you're ever thinking of using it live, even miced up, it doesn't really pack enough of a punch. I think the tendency to break up for the LC15R is probably due to the fact that it's a small wattage and speakered amp - it's not that loud to begin with and it has low headroom.
Class A amps tend to be louder and bolder than a corresponding Class A/B amp of the same wattage.
I used to own an LC50. The stock tubes and speaker were quite underwhelming, and the pots got really noisy after a year or so. Though the cleans were sparkly - quite decent - and it took pedals well, even with a speaker and tube change, i think a Fender Hot Rod Deluxe / Deville would whip it any day in every aspect. The drive channel on the LC50 was rubbish - very noisy and pretty much unpleasant sounding overdrive. Also it doesn't have the clean channel / master volume thing going on, hence you might not be able to get the adjustable breakup you want.
I don't have enough experience with VC amps to really comment - played and recorded through them a couple times, sounded decent enough as is.
Seems like the Vox amps might suit your need best. Personally I don't like the idea of having to dismantle a chassis just to get at tubes and take 15 minutes or so rather than the 2 it would take on most other amps, especially so when tube failure happens in the middle of a gig (also not ideal if you're big on swapping tubes out frequently to experiment and compare with different sounds). With the AC30CC2 that i had the jack kept sinking in a couple of times which was really annoying because it meant having to open that chassis again and again - using glue to reinforce the bond (local distributors' bright idea) didn't work either because tube heat melts glue, and after a while I just found it too much effort to have around.
Having said that if you like the Vox sound and your pedals suit it (the OCD should go pretty well with it), then by all means, knock yourself out. The inconvenience of its design is a small price to pay for some of the most classic amp tones in history.