two more things to add:
4) mute properly
5) use closed voicings (triads) as opposed to open voicings (full C chord for e.g)
A good overdrive pedal will not solve anything if the 5 points are not taken in to consideration. Not to sound condescending, but it's always better to look at the foundational problems first, rather than try to address the problems with technology.
All the pedals mentioned including the TS-9 has worked for someone, pro or hobbyist. You'll only know what works for you better when you understand the instrument better. To prevent a misunderstanding, I'm not addressing this comment to the poster of this thread specifically. He might be a great player who wants some gear advice, however I'm just addressing an issue here which I feel, needs dire attention.
4) mute properly
5) use closed voicings (triads) as opposed to open voicings (full C chord for e.g)
A good overdrive pedal will not solve anything if the 5 points are not taken in to consideration. Not to sound condescending, but it's always better to look at the foundational problems first, rather than try to address the problems with technology.
All the pedals mentioned including the TS-9 has worked for someone, pro or hobbyist. You'll only know what works for you better when you understand the instrument better. To prevent a misunderstanding, I'm not addressing this comment to the poster of this thread specifically. He might be a great player who wants some gear advice, however I'm just addressing an issue here which I feel, needs dire attention.