The gibby will only satisfy the rhythm aspect of metal genres. When it comes to the more technical leads however, you'll find that you can't divebomb or even whammy and let's face it - the les paul is not the most shred-friendly axe out there. Even ZW's les paul is made with a thin maple neck to aid with shred and allow his sound to cut through the mix. A normal les paul is a little too dark to cut through a heavy genre mix well.
For the genres you have listed, I would recommend a floyd rose equipped guitar preferabbly with 24 frets.
Rammstein uses ernieball musicman
Opeth uses PRS custom 24
Herman Li of Dragonforce uses an ibanez sabre series
Or how about a revered '80s axe - the Jackson soloist? It can do blues well too. Listen to Gary Moore - The Loner
Btw, as gain goes up, the tonal differences between different guitars diminishes.
Also, contrary to popular belief, a huge flabby bass from most 24.625" scale lengths does not give a good chugga-chug sound. It will only sound mud. On the other hand, a tight sounding bass such as from a 25.5" scale does it really well.
The les paul supreme is a semi-hollow guitar and as such is tonally different from other les pauls.
For the genres you have listed, I would recommend a floyd rose equipped guitar preferabbly with 24 frets.
Rammstein uses ernieball musicman
Opeth uses PRS custom 24
Herman Li of Dragonforce uses an ibanez sabre series
Or how about a revered '80s axe - the Jackson soloist? It can do blues well too. Listen to Gary Moore - The Loner
Btw, as gain goes up, the tonal differences between different guitars diminishes.
Also, contrary to popular belief, a huge flabby bass from most 24.625" scale lengths does not give a good chugga-chug sound. It will only sound mud. On the other hand, a tight sounding bass such as from a 25.5" scale does it really well.
The les paul supreme is a semi-hollow guitar and as such is tonally different from other les pauls.