Hey, first post here.
I read about what you guys wrote about James and I personally disagree with some points.
I was his student for about 2 years. Yes he is cocky, and most of the time you'll get into deep trouble if you piss him off. But sometimes, you have to understand why he was pissed off. Most of the time, (I was in a group class) those people who were publicly embarassed were the people who were too damn lazy to practice, or are those who expect to be able to drum just because they attend an hour a week's worth of drum lessons.
It doesn't work that way, fellas.
I'm not saying all of you don't practice. I'm just saying what I saw in the class. He really did teach me quite a few things. And most of all, he taught me the most important element in drumming - TIME. Without time, you are nothing.
I guess I got off quite easily from him because I was already in a military band when I joined CPS, hence I got my rudimentary chops in place (not saying I am good, but before I had joined I already knew all the rudiments so I didn't get scolded as much).
And yes, he had ridiculed me in front of the class many times, but that was because I either did not practice or was late for class. But he really meant well. He was always outside the studio and listening to us play and rectifying our problems. Rarely did he really go out and drink kopi or something like that.
One thing I agree, is his impatience. Like how some people are tone deaf but want to sing, there are also some people who are rhythmically 'deaf' but still want to drum. They are born with the inability to coordinate their limbs. Even the simplest 8-beat pattern poses a great difficulty to them. A paradiddle will seem like the craziest thing in the world. And James doesn't realize that. All he thinks is that the student did not practice. Which is not true. Some people practice like crap and yet they still can't get that certain groove right. He needs to understand that. Rhythm is such a complex concept. It is the heart and soul of the music, not just a mess of kicks and snares.
One thing I am in gratitude to him, is how he introduced me to the world of great drummers. He showed me the Jeff Porcaro halftime shuffle. He showed me Steve Gadd's groove in 'fifty ways to leave your lover' as well as the groove in 'late in the evening'. If it wasn't for him, I wouldn't have known what the hell they were playing. And it is thanks to him now, that I am having so much fun with the halftime shuffle. It's a damn musical groove.
Sorry for that long post but man, give the man a break.