Scales, scales, scales

Yep - that Guitar Chord/Scale Buddy is a killer website. Everybody should try it. :D

Whoa..i didnt thought of it when u meant 'killer'..aha..my goodness..the page scares the hell out of me..lolz..i've never learned a scale at such difficult sight..but i think there are alot of ppl guiding in this thread..Would like to say thank you on the behalf of the people who's trying to learn..=)
 
modes are overrated and most guitarists do not even know how to apply them. my advice is, walk before you run. master the 15 major scales first. yes there are 15 of them, not 12. western music is all based on that do re mi fa so la ti do sound. get those down, the rest are just simple arithmetic, sir.

yes I would agree modes are overrated and that most of the time we apply them without any real intention to. hmm, though I have a question about the 15 major scale, i don't quite get where the other 3 would come from. haha
 
+1 to that! i think a more interactive way to learn would be to experiment around with the different notes until you find something that sounds nice and fits with the song/tune/melody. the detailed theory can come in later.

no sir. harmony/theory always come first. an anology: learning how to drive a car. you might know how to drive a car, however, you'd be ignorant of the traffic rules and the mechanics of driving a car properly.not good cos you might cause an accident.... that's why driving schools exist.likewise, music schools.

you experiment, yes. but you experiment with a solid musical background behind you. else, you will just be stabbing in the dark.

not to dispel the importance of solid music theory, but sometimes people do get put off by the amount of things that need to be learnt and hence give up easily.

well then, maybe they are not cut out to be a musician. in this case, really, talent do play a part. if you don't have, can't purchase it.sorry.

most importantly, you have to enjoy the process of learning! press on! :)
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the process of learning involves knowing your As and Bs, in this case both theory/harmony and practical.

my apology to get in your case, bro kdash. i get peeve when i see someone dispensing advice that is detrimental to the betterment of our local musical standards. we need to improve fast, but we will not, when the bind is still leading the blind.

sorry if i get people upsets here. i get off my high-horse now.
 
yes I would agree modes are overrated and that most of the time we apply them without any real intention to. hmm, though I have a question about the 15 major scale, i don't quite get where the other 3 would come from. haha

bro karlie,

there are 15 major scales as oppose to 12 as many here presume bcos of:

enharmonic notes. 2 notes that share similar pitch but has 2 different names. let me list down the major scales, divided into # and b keys:

#
1. G
2. D
3. A
4. E
5. B
6. F#
7. C#


b

1. F
2. Bb
3. Eb
4. Ab
5. Db
6. Gb
7. Cb

1. C ----- no # and b

7 # and 7 b scales plus C = 15 major scales .....:)

if yu look closely, C#/Db, F#/Gb and Cb/B are enharmonics, thus where the 3 other major scales come from.

hey, you are cool. some people gets upset when they finds out they are wrong or just don't know. you should see what i get my email inbox. ....:) people actually insulted that i make them looked bad here since i started postings actively here....hahaha ( i dont give a **** actually)

but you, you wanna learnt. my respect bro.
 
oh! I initially counted 14 cause I thought you all counted E# and B# into the major scales as well. haha ahh yes I get it now thanks man! yeah no worries, i have a very curious mind. anyway thanks again, i'm glad to have learnt something (:
 
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