Guitar Players/Pros: Strat or Les Paul?

GDPunkRock

New member
I play punk rock,pop-punk or alt rock most.Should I be getting a Strat or Les Paul for the kind of music I'm going to play?
+Recommend a Strat or Les Paul with a specific brand name(There're loads of Strat and Les Paul copies by many manufacturers)
Amp wise,what would be a suitable combination with a guitar to make the kind of music I want to play?
 
it's a needs assessment:

*do you prefer a single coil/ humbucking tone?
*do you favour a finished/ satin neck?
*do you appreciate the bolt-on/ set neck upper fret accessibility?
 
Have you tried either?
Which do you prefer?

Theres no right or wrong to what guitar to use. Its just what you like.
 
you should consider what sound you like from your punk heroes (laughs*)

Anti-Flag, Dropkick Murphys, Lars Frederikson, etc etc and many of their pals use a Les Paul/SG or basically a big heavy humbucker equipped guitar through a tube 50watt and above (meaning loud), Marshall stacks through 4x12 cabinets.

Tom Delonge had a Stratocaster with humbuckers, but he also had a Les Paul from his earlier albulms. And he also used a semi-hollow. Brody had a Strat I believe. That Armstrong fellow from Green Day had a Fernandas Strat, but he seemed to have moved on to a vintage Les Paul Jr.

man digging back in my mind to remember all this.

Basically my man, while the punk side of tones are usually heavily overdriven humbucker guitars played with an attitude, you can do the same with a Stratocaster, a Gretsh like Tim Armstrong of Rancid, even Teles, through a $300 Laney bedroom amp.

I suggest to learn more about guitar builds, types, and pickup differences, see what style of guitar you would like to be seen riding on a mosh pit on, and go from there to find your guitar =]
 
I'd recommend a HSS Stratocaster. Perhaps a Smash S2? I've heard good things about it and I'm considering getting one myself. It has a humbucker so you can get fat, warm tones like a Les Paul, and two singlecoils for a twangy, thin and brighter Strat tone. It also has a tremolo so you can try vibrato and stuff that strat players do.

As for the amplifier, I recommend you get perhaps a Vox Pathfinder 15R or Fender Frontman 15 that have good cleans and take pedals well, and get a distortion pedal like the Boss DS-2 to go with it. The DS-2 is like the DS-1 but has a little more distortion. Most small-wattage amplifiers of the $100-200 range are solid-state amplifiers and the thing about smaller-wattage solid-state amplifiers is that they usually lack good distortion tones.
 
Last edited:
Basically my man, while the punk side of tones are usually heavily overdriven humbucker guitars played with an attitude, you can do the same with a Stratocaster, a Gretsh like Tim Armstrong of Rancid, even Teles, through a $300 Laney bedroom amp.

I suggest to learn more about guitar builds, types, and pickup differences, see what style of guitar you would like to be seen riding on a mosh pit on, and go from there to find your guitar =]

What a good piece of advice. The fellow has said it all for you.

Here's more for you to consider;

I've a strat and a LP. They're different beasts altogether, but I love them both. They both have their uses.

Tone-wise, the strat has that bell like chime that simply no other guitar can replicate. And the LP gives me my thick creamy tones. It can weep and it can roar. But it can't chime and twang like my strat.

Playability and feel wise, I think my LP is easier to play on. I have to 'fight' and tussle with my strat, which is not exactly a bad thing.

It has to do with the scale length. My strat like most Fenders, are of the 'long' scale, i.e, 25.5". The LP like most Gibsons are of a shorter 24 3/4" scale length. With its reduced string tension, the short scale is easier to bend on, responds quicker to the touch, and enable smaller hands to span larger distances.

More about the scale length: Because of the higher string tension on the longer scales, it's louder and more powerful, has better definition and note separation, allows for heavier attacks and has a brighter and tighter sound. But a longer scale is harder to bend on, and the longer reaches may trouble some.
When playing chords, the notes 'blend' on the shorter scaled LP. While as mentioned, on the longer scale, there is that distinct note separation.

Hope I've helped widen your perspective!
 
Back
Top