Everdying: Oh that was in response to Thor666 saying that the neck, body and ergonomics of a guitar must fit us well before we can settle into playing. My PRS has a wide thin neck that I just don't dig as well as the wide fat. Sadly it was the only custom 22 available at Davis.
Ah, I can live without a trem and I rarely use it - Still hadn't sorted out certain nut binding problems. But if a trem is present it's nice to have it add variety to playing. It's like certain phrases played just sound so nice when you do a subtle flutter at the end. It's a whole new dynamic thing - just like using a wah pedal to talk. I guess I'm worried about tuning stability for the most part and drop D tuning will be difficult with a floating trem.
So conclusion is that I will most certainly use a trem if it's available but if it's not then I'm pretty fine with it too. Now what do I do.. flip a coin?
I like 'em simple and sweet. The Gibson bridges work well. I even ripped out the whammy bar from my strat and chucked it somewhere. Fixed bridges rock.
i remembered there was a free floating kahler, that locks when the arm is in a certain position, i guess in the free pointing down position.
then when you want it to be free floating again, you just grab the arm and use it like normal.
It's the black and white guitar (modern eagle) that PRS himself is playing. The tone especially during the riff is insane - full bodied, matured and alot of authority!
However during the solo (albeit not very well executed) =p the pick attack is really noticeable hence I would want to go for the trem modern eagle instead - listen to carlos and orianthi's playing and you notice one note blending into the next.
Btw, is an "open sounding" tone opposite to that of a "punchy, focused" tone? As a benchmark the modern eagle in the video is focused right? Haha it's so difficult to explain a guitar tone using words.