Fender Aerodyne Telecaster
List: $Ditto Aero Strat
The Aero tele is very much a mix & match unit, like its sibling, the Aero Strat. However, this guitar attempts to redefine the tele feel & tone despite retaining the all familiar outline.
Neck
The Aero tele neck isn’t our familiar rounded ‘C’ affair, in fact, it sports a
slightly wider & thinner rear, a very contemporary D-profile, much like a shred-type guitar. Despite a gothic, overall hue, the
tuners are vintage-type units (including a split post machine head design) & a single string tree completes the hardware appointments here. Frets are
medium offerings which offer good manifestation of both modern & vintage feel. Workmanship is tops here in terms of fit & finish.
Body
The highlight of the Aerodyne design is its
curved body top. While this translates into player ergonomics, it also means that there is less wood to propel a true tele tone (more on this later). With the aero tele, we do not get the metal strip cover which holds the electronics in tact, instead, the
volume & tone knobs are rear installed, likewise for the pickup switch, whose position on the bass-side, upper body bout, gave rise to a Les Paul feel. The metal housing which holds the bridge single coil isn’t an ash tray incarnation, in fact it mimics the American Series offering, complete with the
6 string saddles for individual height & intonation adjustments- thumbs up to this feature. Like its strat brother, the tele features an edge bound body & enough
rear chamfer for a very comfy strap-on feel. This is how all teles should be IMO, to accentuate player comfort but to date, even the American Series model sports a slab body design, devoid of any surface curvatures for placement comfort. That’s sad isn’t it?
Tone/ Playability
The Aero Tele features a pair of
vintage output single coils but the neck counterpart is a fatter manifestation of an average single coil- introducing the
P-90. I was expecting it to be slightly louder but it’s rather restrained volume wise. With the P-90 on board, there is
added top end in the neck position, if you are expecting a rounder neck tone here, you’d be disappointed but remember the tone knob? Use it to curb excessive treble, that’s what it’s for. The P-90 is a
hum menace, more so driven. If you are hum-wary, this is sheer annoyance & there’s
no hum-canceling combination on offer, unlike the Aero Strat. Aural annoyance aside, this tele feels & plays great. In fact, I like its shred capacity (despite it being terribly noisy at high gain settings), maybe because the bridge saddles here do not feature protrusive screws which are so in the Aero Strat. The pickups offer great crunch tone. If you are after that nasal tele honk, it’s not quite available but there is enough inherent character to separate it from being too stratty. The curved top did remove crucial chunks from the body to make it sound less brash but the tone is
still full in its entirety, not too open & bright.
Verdict
For about $1.3K, you’d be bringing home a very functional Jap Tele with enough cotemporary & vintage vibe to keep you busy. This is one of the best modern tele incarnation I’ve played, pity the excessive hum but that’s what you get with single coils. Both the Aerodyne Tele & Strat
should not be the benchmark to differentiate Japanese workmanship/ tone from the Mexican & American counterparts simply because they possess ‘custom’ specs to individualize themselves from being a standard offering. This is the wrong guitar to buy if you wish to replicate intimate country twang, however, if you are aiming for a decent avant garde & vintage potpourri, your investment would offer great returns.
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