2007 Summer NAMM - January 18th(keys)

Ah ha! "Need" has nothing to do with it. The fact is, they're sexy. People don' t buy iPods because they need them. They buy them because they're cool. They could get perfectly functional mp3 players for half the price. Similarly, why is the Boss Micro BR successful? The market doesn't need it - there are tons of budget and working 4 tracks out there.

Anyway - let's wrap this up - I'm getting philosophical - we'll just wait and see. Meanwhile, I must e-mail their marketing dept. :)
 
Here's the big update from the big guy "STEPHEN KAY" The designer of Karma...

AS QUOTED BY STEPHEN KAY on Karmalab forums....

On January 18th, an exciting new product I've been working on incorporating KARMA Technology will be announced. I could tell you now, but then I'd have to kill you...

Sometime close to 10 am on January 18th Pacific Standard Time (California), which corresponds to 1 pm Eastern Standard Time (New York), as the Winter NAMM Show opens in Annaheim, all will be revealed.

Be sure to check in here some time around then for all sorts of informational goodies.


Ref: http://www.karma-lab.com/forum/showthread.php?s=&threadid=8447

So It is confirmed that Oasys LE is coming out in 3rd week of Jan 07.....

:D :D :D :D
 
The Korg oasys might be good but too much thing in one console might make it over complicated and also might not have enough power to run. its better to stick to gears that are design exclusively for a certain type of synthesis .
after looking at the spec. for Oasys,
I know why Korg chose Linux as the OS
becos Linux doesn't need a lot of processing
power and memory to run its application.

so probably as an Open System, it can further
add synth applications to it.
 
That's the showroom in Korg Japan. (it's may wallpaper for the moment).

Journalists have already seen the new wave of Korg products.
 
during the gold rush in the early 1900s, the people who made money
are the ones selling tools to dig gold.

during the dot.com era last decade, the people who made money are the ones selling IT periperals and equipment.

now in this digital age of home studio DIY, the people who are making money are the gear manufacturers !!! :lol:
 
Atleast I know I am quite disappointed with what Ibanez will come up with.

JEM 20th - Acrylic ??? is really a disappointment. After so much anticipation, all we got from them are plastic JEM 20th, each weighs like a tonne. I guess the one guitar that we can celebrate is the JEM 7VBK. The black version of JEM 7VWH...... :cry:
 
alright get ur belts and sit tight! tmr is the big day

post the latest news you got here alright.

only for keyboards gears pls :)
 
Just saw the video on the Motif XS on HC. It's going to be interesting how many of their patches contain full 8 elements - that will REALLY decrease the polyphony!!!!

As expected, Yamaha and Roland are taking their voices up one notch to compete with softsamplers by adding their articulation function. However, from what I can see from the video, the Motif XS articulation triggers are 2 assignable buttons that are the Yamaha standard small plastic rectangular buttons we all know so well (since the days of SY77/99). A few worries here:

1. 2 buttons means only 2 alternate articulations per patch which means they are limited even with all their future expansion cards. Softsamplers use the keyboard itself to trigger alternate articulations which means we can have lots more articulations per voice. But I imagine hardware are also limited by their no. of elements/patch. So it's understandable - keyboards will always be memory limited.

2. When we use articulations, we trigger them quite often when playing and sequencing. Using their standard plastic buttons means that the buttons is going to wear out pretty quickly. I'm sure all Yamaha keyboard users will know - most of those buttons when used too often tend to get into problems of wear and tear. I never liked their plastic buttons. The location of the buttons seems reasonable - towards the left, although I would prefer them to be a little closer to the keys themselvs (like closer to the areas of the wheels).

Otherwise, nice graphic interface and definitely an inprovement of their acoustic sounds. Can't wait to try on one and feel/listen to it it first-hand.
 
More videos up at HC on keyboards.

Just watched the Yamaha's MM6 video. Looks really great as a low cost solution to the Motif. Great to finally have some patterns with fill-ins in a synth. Previous Motif engine keyboards (Motif, S90 series) only have drum patterns without any fills.

Only quirk (personal) are the knobs. It appears that they have ditched the faders for knobs. For an analog synth when we play monophonic or one-hand most of the time, knobs are great controls. But on a synth, I would still prefer faders. You can only control one knob at one time (in real-time) while playing but you can control multiple faders at one time with the left-hand - particularly useful in organ/B3 stuffs when we want to change draw-bars emulation.

The "Dual" function is questionable (layering of sounds with a press of a button). If it's a digital piano like their P series, I'm sure it would work great. But it's a synth running on the Motif engine - which means they have their usual minimum 2 elements per patch waveforms. I wonder how if they get into polyphony problems all the time.
 
Back
Top