WTS 2 Guitar Effect Pedals. Electro Harmonix HOG & Jack Deville Mod zero.

noneedaname

New member
Hi all,

I am selling off these two pedals as I do not have any use for them. Never been brought out after they were opened. Hardly used. Almost brand new. No cosmetic ware. These two pedals have been discontinued and would probably be hard to find in the near future. I really am in no rush to sell them, so please only contact me if you are genuinely interested. Please dont pm me. You can contact me at, nine 625 nine 788. Collect will only be in the east. Around Tampines.

Thanks for your time. Peace

1. Electro Harmonix HOG - Comes with Box, adaptor and manuals and M-Audio Expresion Pedal. $600

"Generate everything from extreme sub bass to powerful multi-octave chords with this harmonic octave generator! Blast off to a whole new universe of sounds with the Electro-Harmonix HOG, a polyphonic guitar synthesizer with NO special pickup required. It gives you complete control of up to 10 interval pitches including fifth and third intervals, glistening filter sweeps, and insane pitch bends. Dedicated filtering and envelope control, with numerous setup options, making the HOG a must-have performance instrument.

The HOG can simultaneously generate multiple octaves and harmonics from your input signal. Whether you play single notes, arpeggios or full chords, the HOG will track every note you play. In addition, the HOG has seven expression modes that enable you to modify your sounds using the included expression pedal, a MIDI controller, or the expression button on the HOG itself. There is also an amplitude envelope and a 2nd order low-pass filter with resonance. The optional EH footcontroller (Item #153342) allows you to store and load six presets.

You have control over the HOG's basic audio circuitry with an input gain slider (with clip LED), a dry output slider, and a bypass switch. Audio I/O includes 1/4" Hi-Z input, 1/4" output, and a buffered direct output jack. The voice controls let you access the polyphonic synthesizer section. There are 10 voice sliders on the HOG, each with a white cap with a black line that controls the output volume for its voice. The ten sliders let you generate notes two octaves down, one octave down, the incoming signal, a fifth up, one octave up, an octave up plus a fifth, two octaves up, two octaves up plus a third, three octaves up, and four octaves up. The selectable envelope section controls the amplitude attack or decay of the voices, with separate sliders for the lower five voices and upper five voices.

The Spectral Gate button activates circuitry that emphasizes the loudest frequency or harmonic and reduces the volumes of all other present frequencies and harmonics. The filter frequency slider controls the cutoff or peak frequency of the low pass filter, while the filter resonance slider controls the Q or peak of the filter.

The HOG's seven different expression modes are selected consecutively by the expression mode switch: bend one octave, bend one step, volume, freeze plus gliss, freeze plus volume, wah-wah, and a filter. There is also an expression reverse mode and you can control the expression modes externally with an expression pedal or modulate any of the expression modes using MIDI pitch bend."

2. Jack Deville Mod Zero - Comes with Box and Manuals. $250


"The Mod Zero is built around vintage-style analog bucket-brigade technology and uses the Jack Deville Click-Less true-bypass switches, which are also found on the company’s Buzzmaster fuzz box (reviewed August 2010) and sold separately as a replacement for pedals suffering from analog snap, crackle, and pop.

With six knobs on its face, the Mod Zero provides a slightly complex, yet intuitive, gateway to tapping into its many varieties of warble. The two largest knobs control the Dry/Wet mix and the Speed rate, which is indicated in real-time via a flashing LED. Volume controls the overall output level—a nice feature that many modulation effects seem to overlook these days—and it goes from mellow to grindingly loud.

The real power resides with the Depth, Regeneration, and Manual controls. Counterclockwise, the Depth knob eliminates modulation, while a full twist clockwise produces maximum effect intensity. The Regeneration control doubles the modulation upon itself, creating magnification that can get squirrely or subtle, depending on how aggressively you set things up. Lastly, the Manual knob sets the signal’s base delay time. Two separate switches activate the chorus and flange effects. You can’t operate both at the same time, but you can jump from one effect to the other with ease."
 
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