Apologies in advance for the long post but I gotta get my 2 cents worth in here.
Shirlyn Tan is by far the most gifted artist I have witnessed in my 2 years on this island, and my 20 odd years as a working musician. Her vocal skills, songwriting talent, originality and stage presence are simply phenomenal. I have seen or heard nobody else who even comes close.If I had only 10% of her talent I would be very happy. The same goes for her band, Brandon is one of the best drummers I've ever come across, and on lead guitar, Rene Hombre is a freak of nature. The whole band is simply second to none, and very nice people too, without a trace of egocentricity among them. Vastly underappreciated but that's a worldwide problem - people everywhere adore overseas "artists" who are manufactured, packaged, and mass marketed by the record industry, while ignoring the real deal right under their noses.
In his book "In Search of the Craic", about the music scene in Ireland, British music journalist Colin Irwin laments the state of modern music.This guy was assistant editor at Melody Maker, and has written for The Guardian, Daily Telegraph and Sunday Times as well as presenting BBC Radio 2's Acoustic Roots series. In short, he knows what he is talking about. If I may quote -
"I blame Simon Cowell. In fact, not just Simon Cowell - though he is a particularly odious manifestation - but the entire record industry that doesn't have an original idea in it's head. The mainstream record companies are clueless. Aided and abetted by the equally mindless national radio stations, they haven't an ounce of wit between them, perpetuating an environment that simply recycles the past in ever decreasing circles. All they're doing is feeding a conveyor belt that clones the sound, image, marketing and style of whatever hapless pop idol passed five minutes earlier without a thought for the longer term health of either the transient pop star concerned or the industry as a whole.
When the whole reality TV pop phenomenon started with Popstars, they had a real chance to break the mould. That original series was great TV and given all the exposure they had a guaranteed hit band at the end of it, whoever they were, whatever they looked like. The whole sorry nature of pop music driven by damaging images of pouting anorexic girls delivering sexuality out of a packet and athletic, nubile lads swinging their hips and spinning on their heads could have been laid to rest forever. So what did those muppets on the judging panel do? The big shot TV producer, the man from Polydor with no personality and the banal ingratiating blond woman simply rejected every blemished square peg that crossed their path and ended up choosing a band that reflected every tired pop cliche that had gotten the industry into such a mess in the first place.
Pop was always manufactured to a point and there have forever been puppeteers behind the scenes. But there was still an innocence, an element of chance, an unpredictability about it all which made it so exciting. Now Simon Cowell and his chums have cynically moved the goal posts and, with the compliance of TV and radio and accountants, marketing departments pencil in their Number 1's months ahead of release. And do they care that they have turned the music industry into a sad farce which will ultimately destroy it sonner rather than later? I doubt it."
Kudos to Mr. Irwin - very well said. However it is heartening to know that Shirlyn's excellent album is being distributed by Sony/BMG - at least someone in the big league has their eyes and ears open.