COSM

COSM, or Composite Object Sound Modelling, is Roland's multi-efx.

The COSM is made to reproduce many different distinct sounds from one EFX board. Different types of distortion, different EFX.

It works by analyzing the sound frequencies of the original stuff, the stuff it is made to reproduce (which can be anything) and stores it in a chip.

When needed, the chip takes the signal from your guitar, runs it through the stored frequency, and reproduces it as best it can.

Multi EFX boards explained in a nutshell.
 
So far, this particular , effects modeling, does not really impress me. But I am not a player either. So any other insights??
 
Roland XV synth

this effect also found in Roland XV synths,
can really make the guitar patch scream!
 
Re: Roland XV synth

bongman said:
this effect also found in Roland XV synths

They are found in many Roland products. Pedals, amps, synths...

COSM was a great idea, for people on a budget.

Where else can you get that many EFX for such a price? But for more... professional players, they will naturally want to fuller, more complete sound of the real deal, and will get individual pedals. Also because of the mixing and matching combination.
 
I personally find COSM a lil digital sounding, though not as bad as some Line 6 stuff.
 
pooo said:
I personally find COSM a lil digital sounding, though not as bad as some Line 6 stuff.

+1

COSM sounds lack the true character or whatever sound its trying to model, which many people have brought up.

Seems that alot of people notice it, which does not work in the COSM's favour. Line 6 is worse.

The only thing COSM has going for it, in my opinion, is its versatility. So many EFX in one chip.
 
Yeah... My boss me-50. When u guys say.. Very "digital", means what? More for recording thing and not live?
 
Another way of puting 'digital' sounding tone is that the sound is very thin. basically lacks definition and warm projection.
 
Oh that i have to agree. "Stale" sounding? Lol.

But its a good pedal though... Are these COSM pedals good for gigging?

And like live performances? =/
 
Yes, they're decent. But not something you wanna use for your entire career.

As mentioned, these pedals lack soul. So they just don't cut it. For small gigs and jamming, recording, okay, it's decent.

Perhaps you haven't heard what the real stuff sounds like, so maybe you think that the COSM is the best. Nothing beats the original stuff, IMO.

Still, personally, not something I would consider as a long term replacement for original pedals.
 
Praetorian said:
Yes, they're decent. But not something you wanna use for your entire career.

As mentioned, these pedals lack soul. So they just don't cut it. For small gigs and jamming, recording, okay, it's decent.

Perhaps you haven't heard what the real stuff sounds like, so maybe you think that the COSM is the best. Nothing beats the original stuff, IMO.

Still, personally, not something I would consider as a long term replacement for original pedals.

The only worthy set of floor based effects that i'll trust is the Sansamp stuff. I've had the opportunity of trying to Tri A.C. and if you talk about amp modelling, you can't get any closer to the original. This thing blows shit out of the water. It could be used long term, after all, Neil Zaza's entire Melodica album was recorded using the Tri A.C.
 
psionic said:
ooo yea zaza makes me wanna get a Tri A.C.

Honestly, after listening to Zaza, I'm really impressed by the Tri AC. It can do something a COSM will never be able to achieve. Not with it's current line of products, anyway.
 
Listening is not enough man. You've got to try the thing first hand. People usually would say, tube amps sound the best, but they only sound good with the valves open, which is extreme in terms of noise level. Imagine having a toy where you can plug in day in day out, at any volume level you want, and still sound good. Fantastic.
 
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