rottenramone
Active member
wow. the guitarist looks like he's gonna eat his telecaster after the song.
I think alot of musicians (even for myself when I started out) have no idea to go when they reach the improvisational crossroads of their musical life.
We all wonder where to goto after determining the key of a song. Well, to use an analogy, you can see your improvisational message as water flowing down a pipe. The kind you find in sewers (not to say your improvisations are crap!) you know? And to have a good, strong pipe to channel the strong currents of the water, you need to have focus, and purpose as a channel for your improvisations.
To strengthen and construct the pipe for your creative waters, you need to define the rules and structures around your message. For example:
1) The theme of the piece. Are you going to improvise within the theme of the piece?
2) Are you catering to any audience? If no, then you will have more freedom in not letting your ego and flashy side dominate.
3) Are you going to play what you can play or what you might not be able to play?
4) Are you alone in communicating your message or are there are other musicians for you to respond and communicate to?
After you are able to answer these questions (and im sure there are many more questions you can ask yourself), you will have abit more focus and will be able to move away from "ohh i have to make my solo bluesy" or "gotta throw all the notes not discovered yet in music at my audience for this solo". Not that these in themselves are bad... but I believe there has to be solid musicianship, fundamentals and direction behind all these methods.
I reccomend Kenny Werner's "Effortless Mastery" for those interested in attuning to the spiritual side of music and to think like Bill Evans or Miles Davis when it comes to improvising. Really good read.
Godbless,
Clarence
wow. the guitarist looks like he's gonna eat his telecaster after the song.