Hi,
I've got a situation, and am just trying to identify my options.
My oldest child is going into Yamaha JXC book 7 and will be taking her Yamaha Grade 9 in a year.
I am actually very satisfied with the Yamaha syllabus. It teaches a lot of things that traditional music instruction doesn't. The things not being emphasized in class I supplement at home (e.g., scales, sight reading).
Also, the classes are group classes. I believe research has shown that group classes help motivate students to continue their music education.
There are other good aspects motivation-wise- a required concert at the end of each semester, etc.
However,
(1) The other kids in my child's class don't practice enough.
(2) The course has a significant ensemble playing component. This is a disaster when coupled with (1).
(3) Also because of (1), a lot of the "extra" stuff Yamaha includes in its materials just never gets covered in class.
I've got a year to decide what to do after JXC, and am looking for others' thoughts.
I'm not so interested in having my child chase exams. I want my child to have a "useful" music education. By "useful" I mean-
(a) The ability to take an arbitrary tune she likes, play it, and fill in an accompaniment.
(b) Some real element of composition.
(c) The ability to perform music with others.
(d) Some ability to improvise.
(e) A basic level of music literacy.
(f) A user-level competence with a music instrument- she doesn't have to be a virtuoso.
(g) An appreciation of different music genres.
I am also open to having my child eventually switch from piano to another instrument.
Basically, if my child has the capabilities of Freddy Mercury (who only did up to ABRSM grade IV but could compose and do good music), I'm fine.
So, what should I do after JXC? My thoughts:
(a) Continue with Yamaha. The problem is with other students who are just not motivated to practice. I am somewhat sympathetic- its harder to find practice time once children are school aged. However, my child is getting screwed by their inability to get their work done.
(b) Engage a private teacher who knows the Yamaha syllabus. The problem here is lack of ensemble opportunities, which we could mitigate by stressing four-hand pieces. We'd also have to find a teacher who gave 6 monthly concerts. My child is also at increased risk, because of the isolation associated with private instruction.
(c) Switch to the ABRSM syllabus. I'm not in favor of this, because much of what I like in the Yamaha syllabus is missing from this. It also carries all the risks associated with (b).
(d) Chart our own course with a music teacher. The problem here is I have no idea what a good syllabus would be like. We'd have all the risks associated with (b) as well.
I've got a situation, and am just trying to identify my options.
My oldest child is going into Yamaha JXC book 7 and will be taking her Yamaha Grade 9 in a year.
I am actually very satisfied with the Yamaha syllabus. It teaches a lot of things that traditional music instruction doesn't. The things not being emphasized in class I supplement at home (e.g., scales, sight reading).
Also, the classes are group classes. I believe research has shown that group classes help motivate students to continue their music education.
There are other good aspects motivation-wise- a required concert at the end of each semester, etc.
However,
(1) The other kids in my child's class don't practice enough.
(2) The course has a significant ensemble playing component. This is a disaster when coupled with (1).
(3) Also because of (1), a lot of the "extra" stuff Yamaha includes in its materials just never gets covered in class.
I've got a year to decide what to do after JXC, and am looking for others' thoughts.
I'm not so interested in having my child chase exams. I want my child to have a "useful" music education. By "useful" I mean-
(a) The ability to take an arbitrary tune she likes, play it, and fill in an accompaniment.
(b) Some real element of composition.
(c) The ability to perform music with others.
(d) Some ability to improvise.
(e) A basic level of music literacy.
(f) A user-level competence with a music instrument- she doesn't have to be a virtuoso.
(g) An appreciation of different music genres.
I am also open to having my child eventually switch from piano to another instrument.
Basically, if my child has the capabilities of Freddy Mercury (who only did up to ABRSM grade IV but could compose and do good music), I'm fine.
So, what should I do after JXC? My thoughts:
(a) Continue with Yamaha. The problem is with other students who are just not motivated to practice. I am somewhat sympathetic- its harder to find practice time once children are school aged. However, my child is getting screwed by their inability to get their work done.
(b) Engage a private teacher who knows the Yamaha syllabus. The problem here is lack of ensemble opportunities, which we could mitigate by stressing four-hand pieces. We'd also have to find a teacher who gave 6 monthly concerts. My child is also at increased risk, because of the isolation associated with private instruction.
(c) Switch to the ABRSM syllabus. I'm not in favor of this, because much of what I like in the Yamaha syllabus is missing from this. It also carries all the risks associated with (b).
(d) Chart our own course with a music teacher. The problem here is I have no idea what a good syllabus would be like. We'd have all the risks associated with (b) as well.